Georgina Adam

Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market

Art marketanalysis

Jitters and reasons to be cheerful: art market experts give their 2020 predictions

Faced with economic uncertainty, turmoil in Hong Kong, Brexit and a shrinking auction market, the art trade has some justifiable anxiety about the coming year

Interviews by Georgina Adam
Art marketcomment

Why the catalogue raisonné is the forger's bible

An international conference considered the challenges and risks— not to mention the sheer size of publications

Lawsuitscomment

Dodgy dealers beware: anti-fraud lawsuits are on the rise

A spate of fraudulent agents in the dock this year give the art trade a bad image—even if only a few individuals are involved

Art marketcomment

Fakes! Why are we seeing so many counterfeits?

Artistic fraudsters are still pushing their luck—creating works ranging from the barely believable to the downright hilarious

Bankrupt 'playboy' James Stunt attempted to borrow £40m against works of art claimed to be forgeries

The former husband of heiress Petra Ecclestone owes £5m in debt including an unpaid sum of £3.9m to Christie's

Art marketcomment

Piece by piece: the issues with fractional ownership of art

Billed as the next big thing, schemes to sell shares in works of art have yet to excite the market

Art marketcomment

Global recession looms—but there's a new twist

Burgeoning private museums offer cause for hope among economic uncertainty and geopolitical turbulence

Art marketarchive

Elaborate, traditional pieces sold well at the latest auctions

Chinese and Russian buyers with a taste for the ornate have added a new layer of bidding and are forcing prices ever higher

Collectorsarchive

French collectors step up buying at FIAC

Making a making a remarkable return to the contemporary art world

Art marketcomment

Sotheby's newfound privacy gives it greater freedom, but at what cost to the rest of us?

Former public company status left the auction house at a disadvantage to rival Christie's, but its quarterly finance reports provided rare insight in a secretive market

At Art Basel, dealers are looking to reap the rewards of the Venice Biennale

It is an open secret that sales are made in Venice, but dealers at the Swiss art fair are looking to capitalise on the buzz the Biennale creates

Gerhard Richter: a buyer's guide

As a major retrospective on the artist is due to open at the Met Breuer in New York next year, we look at the German artist's market

Giudecca contemporary art district launches in industrial area off Venice's beaten tourist track

Opening during the Venice Biennale, the new initiative includes project and exhibitions spaces and a foundation for young Polish art

Art marketinterview

'I would give my head to be cut off—like Holofernes!' Eric Turquin on the Caravaggio attribution

The Old Master specialist who researched the provenance of the recently attributed painting on the joys of exploring French attics

Egon Schiele: a buyer's guide

While well known in the West, the work of this major figure of Austrian Expressionism is less recognised in Asia—until now

Art marketinterview

Sandy Angus—founder of six fairs across Asia—on his mistakes, MCH Group and a new event in China

In the first of a new art market interview series, we speak to the art fair boss about his career

Art marketfeature

Dubai's Alserkal Avenue launches arts foundation

The not-for-profit will commission works and offer residencies and educational programmes to promote artistic development in Dubai

London art dealer Richard Green sued by US tycoon over €5m Old Master purchases

Gary Klesch claims undisclosed provenance led him to pay higher price for two paintings by Jan Brueghel the Elder and Salomon van Ruysdael

The Fine Art Group buys Falcon Fine Art as art finance industry consolidates

Terms and cost of the Falcon buy have not been revealed but deal includes the "purchase of over 10 loans” with borrowers in the EU, Australia and the US

Life lessons: what the art market learned from 2018

Georgina Adam speaks with three leading art world figures on the key events of last year and what 2019 may hold

Podcastspodcast

2019: art market predictions and the best events

From Brexit worries to emerging trends, we look ahead at what to expect from the art market this year. Plus, our correspondents pick the must-see exhibitions, fairs and festivals. Produced in association with Bonhams, auctioneers since 1793.

Hosted by Ben Luke. with guest speakers Georgina Adam, Louisa Buck and Jane Morris. Produced by Julia Michalska, David Clack and Aimee Dawson

Shagalov sues Paul Kasmin Gallery over Stella ownership

The art dealer has been involved in a number of lawsuits, which allege he defaulted on purchases of art

Trump’s tax Act offers potential tax havens for art

‘Opportunity Zones’ present a new kind of tax-deferred exchange on high-value assets

Market stunts predict the future… and evoke the past

The Leonardo and Banksy auction spectacles suggested a future in which marketing triumphs. But was it ever thus?

Marketanalysis

In debt we trust: the rise of art-secured lending

The rapid growth in the number of loan providers, from private banks to specialist lenders, could transform the art market’s relationship with the financial markets

Art marketanalysis

Tiny, but rich: Luxembourg pushes for more presence in art market

It may be known as a haven, but buyers in the grand duchy pay 17% tax, fair director says

Art marketanalysis

Paris versus Shanghai: photo fairs old and new compared

Despite censorship, China’s appetite for photography is growing but Paris Photo remains pre-eminent

Interested in a square inch of a Warhol? Fractional ownership hits the art market

A growing number of new investment platforms are touting the concept

Art marketfeature

Blockchain: Hot stuff or hot air?

The technology offers the promise of a world in which a work of art’s provenance is held on a single database—if it lives up to the hype

Georgina Adam. , with additional research by Alec Evans

Supply wrung out? End of term feel to London Impressionist and Modern art auctions

Sotheby's sale fell below estimate while Christie’s provided some cheer, showing there is still money in Monet – but only the right one

Georgina Adam. with additional reporting by Anna Brady