The Leonardo and Banksy auction spectacles suggested a future in which marketing triumphs. But was it ever thus?

The rapid growth in the number of loan providers, from private banks to specialist lenders, could transform the art market’s relationship with the financial markets

It may be known as a haven, but buyers in the grand duchy pay 17% tax, fair director says

Despite censorship, China’s appetite for photography is growing but Paris Photo remains pre-eminent

A growing number of new investment platforms are touting the concept

The technology offers the promise of a world in which a work of art’s provenance is held on a single database—if it lives up to the hype

Sotheby's sale fell below estimate while Christie’s provided some cheer, showing there is still money in Monet – but only the right one

How soon is too soon? Private collectors are selling off works as little as a few weeks after lending them to high-profile shows

Hostile relations between Russia and the West following attempted poisoning of former MI6 spy may dampen bidding at London's Russian sales

We drill down into the big numbers from the Post-Impressionist and Modern sale in New York with Georgina Adam, talk to Professor Rachel Pownall about the wider market and look at a small gallery housed in Piccadilly Circus Tube station.

Arcis's 110,000 sq. ft art-storage facility in New York boasts the latest in high-tech security

Specialist Hadrien de Montferrand brings a unique mix of influences to his work

Think differently and "belong to the public"

The complex saga started in June 2015 when the Beijing-based businessman Zhang Chang bought a work by Francis Bacon at Christie’s

Georgina Adam on why Guggenheim's chief curator should rise above President and his "swampy" world

Flaky winning bids are knocking the gloss off record-breaking sales

We are at the London Art Fair speaking to Georgina Adam about her art market predictions and to Louisa Buck about the top shows and artists to keep on your radar this year

Expect more guarantees, an Old Master revival and gallery innovation, says Georgina Adam, art market editor-at-large

Former editor of the The Art Newspaper Jane Morris speaks to Georgina Adam about her new book Dark Side of the Boom and the art world's less savoury side

Painting is being presented by Christie’s as the “Holy Grail of Old Master paintings”

Paris museum will organise 20 exhibitions in new satellite space as part of renewable five-year deal

Artist and his investor-collectors hope spectacular exhibition and plenty of spin will revive flagging market

In an exclusive extract from her forthcoming book, Dark Side of the Boom, Georgina Adam discovers why most art is destined for a crate-filled, high-security storage facility

Artist and gallery part ways after two decades

Even works held and sold abroad could be liable for UK tax

Paris contemporary art centre in negotiations to open space after setback ten years ago

Paris Modern art museum in negotiations to open space in West Bund cultural district

Buyers using works as collateral and allegedly defaulting on payment becoming increasingly common in "frothy market"

Organisers say Western galleries are attempting to protect their interests in the Chinese market