Georgina Adam

Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market

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What sort of art will we want after the pandemic ends?

Performance out, domestically-sized painting in

Auctions: what will change, post-Covid-19?

In the era of social distancing, auctioneers may have to conduct sales to an empty room

Will coronavirus-related cancellations spell the end of ‘fairtigue’?

When the merry-go-round restarts, it will be in a changed landscape. While fairs have been postponed and others cancelled, there may be benefits

From hot new thing to 'cryptowinter' chill: sizing up fractional ownership of art

Companies are offering shares in works by artists from Monet to Warhol through crypto tokens, but the jury is out as to the benefits for investors

Death of a wannabe 'mega' gallery—was the closure of Blain Southern an outlier or the canary in the mine?

Gallery's demise could be symptomatic of the growing polarisation of the art market

Not here to stay: what makes private museums suddenly close?

From mounting bills and funding problems to art-washing and embezzlement, collections are disappearing from public view at a rate of knots

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Millennials—monsters, or saviours of the art market?

What do young collectors want, what do they buy, and, as they become richer, will they add rocket fuel to the art market—or blow it up entirely?

Art marketanalysis

Jitters and reasons to be cheerful: art market experts give their 2020 predictions

Faced with economic uncertainty, turmoil in Hong Kong, Brexit and a shrinking auction market, the art trade has some justifiable anxiety about the coming year

Interviews by Georgina Adam
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Why the catalogue raisonné is the forger's bible

An international conference considered the challenges and risks— not to mention the sheer size of publications

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Dodgy dealers beware: anti-fraud lawsuits are on the rise

A spate of fraudulent agents in the dock this year give the art trade a bad image—even if only a few individuals are involved

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Fakes! Why are we seeing so many counterfeits?

Artistic fraudsters are still pushing their luck—creating works ranging from the barely believable to the downright hilarious

Bankrupt 'playboy' James Stunt attempted to borrow £40m against works of art claimed to be forgeries

The former husband of heiress Petra Ecclestone owes £5m in debt including an unpaid sum of £3.9m to Christie's

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Piece by piece: the issues with fractional ownership of art

Billed as the next big thing, schemes to sell shares in works of art have yet to excite the market

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Global recession looms—but there's a new twist

Burgeoning private museums offer cause for hope among economic uncertainty and geopolitical turbulence

Art marketarchive

Elaborate, traditional pieces sold well at the latest auctions

Chinese and Russian buyers with a taste for the ornate have added a new layer of bidding and are forcing prices ever higher

Collectorsarchive

French collectors step up buying at FIAC

Making a making a remarkable return to the contemporary art world

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Sotheby's newfound privacy gives it greater freedom, but at what cost to the rest of us?

Former public company status left the auction house at a disadvantage to rival Christie's, but its quarterly finance reports provided rare insight in a secretive market

At Art Basel, dealers are looking to reap the rewards of the Venice Biennale

It is an open secret that sales are made in Venice, but dealers at the Swiss art fair are looking to capitalise on the buzz the Biennale creates

Gerhard Richter: a buyer's guide

As a major retrospective on the artist is due to open at the Met Breuer in New York next year, we look at the German artist's market

Giudecca contemporary art district launches in industrial area off Venice's beaten tourist track

Opening during the Venice Biennale, the new initiative includes project and exhibitions spaces and a foundation for young Polish art

Art marketinterview

'I would give my head to be cut off—like Holofernes!' Eric Turquin on the Caravaggio attribution

The Old Master specialist who researched the provenance of the recently attributed painting on the joys of exploring French attics

Egon Schiele: a buyer's guide

While well known in the West, the work of this major figure of Austrian Expressionism is less recognised in Asia—until now

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Sandy Angus—founder of six fairs across Asia—on his mistakes, MCH Group and a new event in China

In the first of a new art market interview series, we speak to the art fair boss about his career

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Dubai's Alserkal Avenue launches arts foundation

The not-for-profit will commission works and offer residencies and educational programmes to promote artistic development in Dubai

London art dealer Richard Green sued by US tycoon over €5m Old Master purchases

Gary Klesch claims undisclosed provenance led him to pay higher price for two paintings by Jan Brueghel the Elder and Salomon van Ruysdael

The Fine Art Group buys Falcon Fine Art as art finance industry consolidates

Terms and cost of the Falcon buy have not been revealed but deal includes the "purchase of over 10 loans” with borrowers in the EU, Australia and the US

Life lessons: what the art market learned from 2018

Georgina Adam speaks with three leading art world figures on the key events of last year and what 2019 may hold

Podcastspodcast

2019: art market predictions and the best events

From Brexit worries to emerging trends, we look ahead at what to expect from the art market this year. Plus, our correspondents pick the must-see exhibitions, fairs and festivals. Produced in association with Bonhams, auctioneers since 1793.

Hosted by Ben Luke. with guest speakers Georgina Adam, Louisa Buck and Jane Morris. Produced by Julia Michalska, David Clack and Aimee Dawson

Shagalov sues Paul Kasmin Gallery over Stella ownership

The art dealer has been involved in a number of lawsuits, which allege he defaulted on purchases of art

Trump’s tax Act offers potential tax havens for art

‘Opportunity Zones’ present a new kind of tax-deferred exchange on high-value assets