Georgina Adam

Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market

Five predictions for the art market in 2016

Lay-offs at auction houses, terrorism in Europe and luxury art experiences for all

2015's biggest art market developments and what they mean

From the contraction of the Chinese economy to the death of zombie formalism

When did auctions become ‘curated’ sales?

Whether a new concept or just another way to sell art, themed shows are bringing in business

Five galleries to close in Singapore's Gillman Barracks

<span style="color: #222222; background-color: #ffffff;">Low footfall and lack of infrastructure blamed for departures in May <br> </span>

March 2015archive

Regulation guidelines are an ‘impossible dream’

Some think the trade was more concerned about the risk of losing sales than its reputation, observed our editor-at-large in 2015

Musée des Confluences in Lyons pays tribute to city’s great collector Émile Guimet

Guimet's collection will be displayed in a new museum, which has 2.2 million objects and space for temporary shows

Jeff Koonsarchive

Koons’s new deal with David Zwirner gallery

An exhibition of his work will be held next May - but what of Gagosian?

Tatearchive

Tate to launch two new acquisitions committees

The globalisation of Tate's collection continues

Art fairsarchive

Fair or foul: more art fairs and bigger brand galleries, but is the model sustainable?

Many galleries acknowledge that supply is a problem, with artists under pressure to produce more work

Art marketarchive

What Chinese collectors are really buying

While ancient art and ceramics remain popular, Contemporary Chinese art is taking off at home, and buyers outside the mainland are slowly looking toward Western art

Modigliani catalogue raisonné still years away

Competing claims and potential conflicts of interests delay publication, originally scheduled for 2006

Sale reports: Impressionist and Modern, Surrealism, and Contemporary

Peaks for best modern and contemporary artists High prices for works by Miró, Bacon, Moore and Richter are reminiscent of the boom

Dealer uses intimidation tactics at Parisian Giacometti foundation in mission to recover forged lamps

Policy decrees that works determined to be fake must be handed over to the authorities so that they cannot re-enter the market

Police investigate allegedly fake photographs sold at Artcurial Deauville

The works were supposedly from the artist’s family and "rediscovered"

Market predictions for 2012: the outlook is mixed

Tough times lie ahead for galleries, but auction houses and art advisers could continue to prosper this year

Art marketarchive

Are fairs big enough for both galleries and auction houses?

Some galleries feel the major auction houses are encroaching on their rightful territory

Collectorsarchive

Collector settles financial dispute with David Khalili

Farbod Dowlatshahi no longer advisor to Khalili trust

Sculpturearchive

Size matters: Why are works still getting bigger?

Big excitement over bigger and bigger works

Economicsarchive

Lawyers, funds and money: How litigious is the art world?

And is litigation in the art world on the rise?

Art marketarchive

Chinese auction data lacks credibility

Leading British university research questions saleroom reporting

Art marketarchive

EU tax and regulation changes and more sales could allow the European art market to retain top spot over China

Yet the EU's share of the market is steadily declining and the US may already have lost its lead

Auctionsarchive

Small dealers are squeezed by the auction house giants

Tied to increasing prominence of private sales by auction houses

Art marketarchive

Auction guarantees are dividing the art trade

Insurance for sellers or market manipulation?

New Yorkarchive

New York's lack of a standout art fair

New York is a city with the space and the traction to make introducing a fair of Art Basel's scale a lucrative prospect. So why are locals dragging their feet?

Spanish royal seal of approval for Dalí’s Florida home

Meanwhile in Europe, the artist’s foundation battles “pseudo museums” to protect his brand

Art Basel Miami Beach banks on the tried and tested

Established artists first to sell as collectors take their time over emerging talents