Georgina Adam
Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market
The art market in 2017: perplexing times for pundits worldwide
Uncertainty is the name of the game, made unpredictable by international politics and an economic downturn in the Gulf
Turmoil at Honolulu’s Bishop Museum
Fears abound for the collection-rich, cash-poor Hawaiian institution
Experts shed light on Modigliani's murky market with new research project
Fakes and squabbles have long-obscured scholarship, but a catalogue raisonné may now be in the pipeline
Art takes second place as selfies steal the shows
Instagram-friendly works can give a huge publicity boost to artists and exhibitions
Why shopping malls are making space for high-end art
Hong Kong, Shanghai, Paris, Bicester—the retail trend is all about boosting “dwell time”
Biggest ever Giacometti survey show opens in Shanghai
Artist’s foundation teams up with museum founder Budi Tek to bring 250 works to China
Football outscores culture as Qatar spending slumps
Museum layoffs and project suspensions gather pace in Qatar as oil revenue collapse continues
Bangladesh puts exposure before sales to get itself on art market map
The non-commercial Dhaka Art Summit is helping to raise the international profile of South Asian artists
In the beginning: women kickstart South Asia scene
Female artists, collectors, curators and philanthropists are playing a leading role in developing the arts scene in South Asia
Art in shopping malls: it’s all product after all
Art has long been hitched to luxury goods, but it is now becoming a more democratic—or commercial—concept as malls begin to incorporate exhibition space
Wildenstein can’t be forced to recognise disputed Monet
French court will not intervene over work that was championed by BBC’s Fake or Fortune
Owner of purported Monet loses case in French court
Work featured on BBC’s Fake or Fortune programme in 2011
Five predictions for the art market in 2016
Lay-offs at auction houses, terrorism in Europe and luxury art experiences for all
2015's biggest art market developments and what they mean
From the contraction of the Chinese economy to the death of zombie formalism
When did auctions become ‘curated’ sales?
Whether a new concept or just another way to sell art, themed shows are bringing in business
First look at the pavilions: seven national presentations of note in the Giardini
The Art Newspaper team guide to some of the best things to see at this year's Venice Biennale
Five galleries to close in Singapore's Gillman Barracks
<span style="color: #222222; background-color: #ffffff;">Low footfall and lack of infrastructure blamed for departures in May <br> </span>
Regulation guidelines are an ‘impossible dream’
Some think the trade was more concerned about the risk of losing sales than its reputation, observed our editor-at-large in 2015
Musée des Confluences in Lyons pays tribute to city’s great collector Émile Guimet
Guimet's collection will be displayed in a new museum, which has 2.2 million objects and space for temporary shows
Looting in the Middle East encourages fakes and forgeries
Modern art targeted as the originals go missing
Koons’s new deal with David Zwirner gallery
An exhibition of his work will be held next May - but what of Gagosian?
Tate to launch two new acquisitions committees
The globalisation of Tate's collection continues
Fair or foul: more art fairs and bigger brand galleries, but is the model sustainable?
Many galleries acknowledge that supply is a problem, with artists under pressure to produce more work
What Chinese collectors are really buying
While ancient art and ceramics remain popular, Contemporary Chinese art is taking off at home, and buyers outside the mainland are slowly looking toward Western art
Modigliani catalogue raisonné still years away
Competing claims and potential conflicts of interests delay publication, originally scheduled for 2006
Sale reports: Impressionist and Modern, Surrealism, and Contemporary
Peaks for best modern and contemporary artists High prices for works by Miró, Bacon, Moore and Richter are reminiscent of the boom
Dealer uses intimidation tactics at Parisian Giacometti foundation in mission to recover forged lamps
Policy decrees that works determined to be fake must be handed over to the authorities so that they cannot re-enter the market
Police investigate allegedly fake photographs sold at Artcurial Deauville
The works were supposedly from the artist’s family and "rediscovered"
Market predictions for 2012: the outlook is mixed
Tough times lie ahead for galleries, but auction houses and art advisers could continue to prosper this year