Georgina Adam
Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market
Five predictions for the art market in 2016
Lay-offs at auction houses, terrorism in Europe and luxury art experiences for all
2015's biggest art market developments and what they mean
From the contraction of the Chinese economy to the death of zombie formalism
When did auctions become ‘curated’ sales?
Whether a new concept or just another way to sell art, themed shows are bringing in business
First look at the pavilions: seven national presentations of note in the Giardini
The Art Newspaper team guide to some of the best things to see at this year's Venice Biennale
Five galleries to close in Singapore's Gillman Barracks
<span style="color: #222222; background-color: #ffffff;">Low footfall and lack of infrastructure blamed for departures in May <br> </span>
Regulation guidelines are an ‘impossible dream’
Some think the trade was more concerned about the risk of losing sales than its reputation, observed our editor-at-large in 2015
Musée des Confluences in Lyons pays tribute to city’s great collector Émile Guimet
Guimet's collection will be displayed in a new museum, which has 2.2 million objects and space for temporary shows
Looting in the Middle East encourages fakes and forgeries
Modern art targeted as the originals go missing
Koons’s new deal with David Zwirner gallery
An exhibition of his work will be held next May - but what of Gagosian?
Tate to launch two new acquisitions committees
The globalisation of Tate's collection continues
Fair or foul: more art fairs and bigger brand galleries, but is the model sustainable?
Many galleries acknowledge that supply is a problem, with artists under pressure to produce more work
What Chinese collectors are really buying
While ancient art and ceramics remain popular, Contemporary Chinese art is taking off at home, and buyers outside the mainland are slowly looking toward Western art
Modigliani catalogue raisonné still years away
Competing claims and potential conflicts of interests delay publication, originally scheduled for 2006
Sale reports: Impressionist and Modern, Surrealism, and Contemporary
Peaks for best modern and contemporary artists High prices for works by Miró, Bacon, Moore and Richter are reminiscent of the boom
Dealer uses intimidation tactics at Parisian Giacometti foundation in mission to recover forged lamps
Policy decrees that works determined to be fake must be handed over to the authorities so that they cannot re-enter the market
Police investigate allegedly fake photographs sold at Artcurial Deauville
The works were supposedly from the artist’s family and "rediscovered"
Market predictions for 2012: the outlook is mixed
Tough times lie ahead for galleries, but auction houses and art advisers could continue to prosper this year
Are fairs big enough for both galleries and auction houses?
Some galleries feel the major auction houses are encroaching on their rightful territory
Collectors reveal appetite for the challenging rather than the expensive: Art Basel 2011
Art Basel '11 fair report
Collector settles financial dispute with David Khalili
Farbod Dowlatshahi no longer advisor to Khalili trust
Size matters: Why are works still getting bigger?
Big excitement over bigger and bigger works
Lawyers, funds and money: How litigious is the art world?
And is litigation in the art world on the rise?
Chinese auction data lacks credibility
Leading British university research questions saleroom reporting
EU tax and regulation changes and more sales could allow the European art market to retain top spot over China
Yet the EU's share of the market is steadily declining and the US may already have lost its lead
Small dealers are squeezed by the auction house giants
Tied to increasing prominence of private sales by auction houses
Auction guarantees are dividing the art trade
Insurance for sellers or market manipulation?
New York's lack of a standout art fair
New York is a city with the space and the traction to make introducing a fair of Art Basel's scale a lucrative prospect. So why are locals dragging their feet?
Spanish royal seal of approval for Dalí’s Florida home
Meanwhile in Europe, the artist’s foundation battles “pseudo museums” to protect his brand
Art Basel Miami Beach banks on the tried and tested
Established artists first to sell as collectors take their time over emerging talents