Georgina Adam

Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market

Police investigate allegedly fake photographs sold at Artcurial Deauville

The works were supposedly from the artist’s family and "rediscovered"

Market predictions for 2012: the outlook is mixed

Tough times lie ahead for galleries, but auction houses and art advisers could continue to prosper this year

Art marketarchive

Are fairs big enough for both galleries and auction houses?

Some galleries feel the major auction houses are encroaching on their rightful territory

Collectorsarchive

Collector settles financial dispute with David Khalili

Farbod Dowlatshahi no longer advisor to Khalili trust

Sculpturearchive

Size matters: Why are works still getting bigger?

Big excitement over bigger and bigger works

Economicsarchive

Lawyers, funds and money: How litigious is the art world?

And is litigation in the art world on the rise?

Art marketarchive

Chinese auction data lacks credibility

Leading British university research questions saleroom reporting

Art marketarchive

EU tax and regulation changes and more sales could allow the European art market to retain top spot over China

Yet the EU's share of the market is steadily declining and the US may already have lost its lead

Auctionsarchive

Small dealers are squeezed by the auction house giants

Tied to increasing prominence of private sales by auction houses

Art marketarchive

Auction guarantees are dividing the art trade

Insurance for sellers or market manipulation?

New Yorkarchive

New York's lack of a standout art fair

New York is a city with the space and the traction to make introducing a fair of Art Basel's scale a lucrative prospect. So why are locals dragging their feet?

Spanish royal seal of approval for Dalí’s Florida home

Meanwhile in Europe, the artist’s foundation battles “pseudo museums” to protect his brand

Art Basel Miami Beach banks on the tried and tested

Established artists first to sell as collectors take their time over emerging talents

Art marketarchive

Collectors pay top prices for the highest quality work of Islamic classics

Christie’s totals higher, but Sotheby’s had the standout individual piece

Art fairsarchive

Should fairs feel threatened by gallery weeks?

A complementary relationship is far more likely…

Gagosian empire expands to China

Hong Kong will soon be home to a branch of the super-gallery

Basquiat: his market and his legacy

Beyeler exhibition aims to place the artist, who died at 27, high in the canon

Art marketarchive

Trends in collecting: Are domestic collectors ready to take on the world?

While the Russians are branching out, Indian collectors don't stray far from home

Interviewarchive

Interview with dealer Luca Baroni: “As I get older, I get more demanding, I only want the very best”

The old master dealer on market caution, setting the record straight with Colnaghi, and working for a very private collector

March 2010archive

Giacometti 'fakes' seized in alleged counterfeiting ring in Germany

A series of books, presumed to have been written by the suspect and claiming the artist's brother hid a secret stash of his works, were presented as provenance

Art marketarchive

Contemporary Art auction report: Warhol’s dollar bills attract big bucks in New York sales

The market has recalibrated, but major pieces spark highly charged bidding wars

Art marketarchive

A surprise show of strength at Frieze week post-war and contemporary auctions

Houses keep their heads above water with wider international selection

How did the financial downturn impact the market for brand-name artists like Hirst and Murakami?

Both have adopted marketing strategies more typical of luxury goods firms than artists. In 2009 we looked at their market history

Ullens buys Tayou at Venice Biennale

The collectors add work by Pascale Marthine Tayou to their extensive collection

Art Baselarchive

My road to Basel 1985: Interview with Shirazeh Houshiary

Shirazeh Houshiary on identity, spirituality and the excess of gimmicks in contemporary art