Georgina Adam
Georgina Adam is the former Art Market editor of The Art Newspaper, where she is now editor-at-large. She is a contributor to the Financial Times Life & Arts Section, lectures at Sotheby's and Christie’s institutes in London and regularly participates in panels about the art market
Musée des Confluences in Lyons pays tribute to city’s great collector Émile Guimet
Guimet's collection will be displayed in a new museum, which has 2.2 million objects and space for temporary shows
Looting in the Middle East encourages fakes and forgeries
Modern art targeted as the originals go missing
Koons’s new deal with David Zwirner gallery
An exhibition of his work will be held next May - but what of Gagosian?
Tate to launch two new acquisitions committees
The globalisation of Tate's collection continues
Fair or foul: more art fairs and bigger brand galleries, but is the model sustainable?
Many galleries acknowledge that supply is a problem, with artists under pressure to produce more work
What Chinese collectors are really buying
While ancient art and ceramics remain popular, Contemporary Chinese art is taking off at home, and buyers outside the mainland are slowly looking toward Western art
Modigliani catalogue raisonné still years away
Competing claims and potential conflicts of interests delay publication, originally scheduled for 2006
Sale reports: Impressionist and Modern, Surrealism, and Contemporary
Peaks for best modern and contemporary artists High prices for works by Miró, Bacon, Moore and Richter are reminiscent of the boom
Dealer uses intimidation tactics at Parisian Giacometti foundation in mission to recover forged lamps
Policy decrees that works determined to be fake must be handed over to the authorities so that they cannot re-enter the market
Police investigate allegedly fake photographs sold at Artcurial Deauville
The works were supposedly from the artist’s family and "rediscovered"
Market predictions for 2012: the outlook is mixed
Tough times lie ahead for galleries, but auction houses and art advisers could continue to prosper this year
Are fairs big enough for both galleries and auction houses?
Some galleries feel the major auction houses are encroaching on their rightful territory
Collectors reveal appetite for the challenging rather than the expensive: Art Basel 2011
Art Basel '11 fair report
Collector settles financial dispute with David Khalili
Farbod Dowlatshahi no longer advisor to Khalili trust
Size matters: Why are works still getting bigger?
Big excitement over bigger and bigger works
Lawyers, funds and money: How litigious is the art world?
And is litigation in the art world on the rise?
Chinese auction data lacks credibility
Leading British university research questions saleroom reporting
EU tax and regulation changes and more sales could allow the European art market to retain top spot over China
Yet the EU's share of the market is steadily declining and the US may already have lost its lead
Small dealers are squeezed by the auction house giants
Tied to increasing prominence of private sales by auction houses
Auction guarantees are dividing the art trade
Insurance for sellers or market manipulation?
New York's lack of a standout art fair
New York is a city with the space and the traction to make introducing a fair of Art Basel's scale a lucrative prospect. So why are locals dragging their feet?
Spanish royal seal of approval for Dalí’s Florida home
Meanwhile in Europe, the artist’s foundation battles “pseudo museums” to protect his brand
Art Basel Miami Beach banks on the tried and tested
Established artists first to sell as collectors take their time over emerging talents
Steady nerve required by dealers as buyers take their time—but lower price points encouraged sales at Art Basel Miami Beach
Who needs celebrities? It’s the serious collectors that count
Collectors pay top prices for the highest quality work of Islamic classics
Christie’s totals higher, but Sotheby’s had the standout individual piece
Art Basel 2010 sees raised confidence and strong sales, but less impulsivity from buyers
Art Basel '10 fair report
Should fairs feel threatened by gallery weeks?
A complementary relationship is far more likely…
Gagosian empire expands to China
Hong Kong will soon be home to a branch of the super-gallery
Collectors at Art Basel vie for works by established artists
Art Basel '10 fair report
Basquiat: his market and his legacy
Beyeler exhibition aims to place the artist, who died at 27, high in the canon