Tate
Comment: The Tate should take BP’s money—and ask for more
Protests about the gallery’s lack of transparency concerning the energy company's sponsorship miss the point of how big business and the arts interact
Longer shows pay off for Tate as Matisse brings in the numbers
The Cut-Outs retrospective was seen by 563,000 visitors
Tate Turner catalogue delayed again
The Tate still has 21,000 works to publish online—but those already posted suggest it will be worth the wait
Richard Tuttle: Weaving his magic around the world
Trio of Richard Tuttle exhibitions includes his largest work to date in the Tate’s Turbine Hall
Despite the war of words, UK-Russia shows go ahead
But some exhibitions have been cancelled as political stand-off continues
Turner’s final flourish: Tate show traces his highly productive late period
150 works produced from 1835 until his death in 1851 will dispel oversimplifications of this later works
Disputes in Russia concerning the authenticity of many works attributed to Malevich circulating the Russian art market
As a major Malevich show opens in London, claims grow that the avant-garde market is still plagued by the fakes
Tate celebrates return of restored Rothko
The product of 9 months of restoration leaves no traces of graffiti ink
Tate unveils Turner Prize shortlist
Three are graduates of the Glasgow School of Art
Peter Fraser: The photographer filling a gap
This Tate catalogue expands on the British photographer Peter Fraser
Nazi loot claim for Tate’s Constable
Beaching a Boat, Brighton, has been claimed by the heirs of Baron Ferenc Hatvany
Nicholas Serota discusses an international outlook and Tate’s new worldwide web
Developing a global reach is just as important for major cultural institutions as it is for big businesses
Works head to Tate fresh from Frieze thanks to the Outset/Frieze Art Fair Fund
Younger and less recognised artists were the order of the day
Tate borrows £55m for building projects
Renovations and expansions at both London Tates have been costly, and loans were required to bridge gaps in cashflow
Artist Interview: Gary Hume opens the doors of perception at the Tate
A pair of Hume’s swing doors mark the start of his Tate Britain show. But what lies beyond?
Praise for Tate Britain rehang
The move from a thematic hang to a chronological one has been celebrated by critics
Folk art at the Tate Britain
Next Summer's exhibition focuses on the boundaries between the mainstream and the marginal
Tate Modern loses top museum slot by a hair
The gallery was beaten to the post by the British Museum
Starry night for Tate in New York: celebrity friends help museum fundraise in style
Sarah Jessica Parker and the mysterious Tate Americas Foundation raise money for Latin American acquisitions
Artists Barbara Hepworth and Andrew Forge and fellow Tate trustee Herbert Read opposed a £4,665 Lichtenstein in 1966
After a heated debate the purchase, estimated to be worth more than $40m, went ahead
Miró on loan damaged at Tate Modern
The museum forked out £203,000 for repair and depreciation costs
Tate spreads acquisition net to India and Russia
The museum is committed to diversifying their collection
Tate to launch two new acquisitions committees
The globalisation of Tate's collection continues
Get tanked at the Tate: first permanent museum galleries devoted to installation and live art open at Bankside
Dancers and a singles’ night open Tate Modern’s new space
Tate Britain opts for chronological hang with refurbishment project progressing
The galleries are set to reopen in May after funding goals were reached
Collectors' gift of Hockney and Freud to the Tate honours its director
Mercedes and Ian Stoutzker have conferred an exceedingly generous donation on the gallery
Edvard Munch and modern media at the Tate Modern
The Modern Eye is on show until 14 October