Tate

World tour of Cairo’s Surrealists comes to Tate Liverpool

Show examines role of Art et Liberté in international fight against fascism, nationalism and colonialism

Former Tate Britain director Penelope Curtis remaps Lisbon's Gulbenkian

Freed from Tate's "tough agenda" of blockbuster shows, sculpture scholar is opening up Portuguese museum's Islamic collections

New Tate fund puts performance centre-stage

Scheme aims to bridge gap between collecting and displaying the medium

Tate Modern chronicles the rise of Black Power in post-war America

Soul of a Nation includes around 150 works looking at the realities of the African American experience

Tate survey exhibition reunites Giacometti’s Venice Biennale sculptures for first time in 60 years

This display aims to flesh out Giacometti's practice, which is not limited to his iconic bronze figures

Tate Britain banks on David Hockney retrospective to pull in the crowds

More than 150 works will be on display, from those executed early in his career to some whose paint is still wet

Comment: The Tate should take BP’s money—and ask for more

Protests about the gallery’s lack of transparency concerning the energy company's sponsorship miss the point of how big business and the arts interact

Tatearchive

Longer shows pay off for Tate as Matisse brings in the numbers

The Cut-Outs retrospective was seen by 563,000 visitors

Cataloguesarchive

Tate Turner catalogue delayed again

The Tate still has 21,000 works to publish online—but those already posted suggest it will be worth the wait

Richard Tuttle: Weaving his magic around the world

Trio of Richard Tuttle exhibitions includes his largest work to date in the Tate’s Turbine Hall

Friezearchive

Despite the war of words, UK-Russia shows go ahead

But some exhibitions have been cancelled as political stand-off continues

Turner’s final flourish: Tate show traces his highly productive late period

150 works produced from 1835 until his death in 1851 will dispel oversimplifications of this later works

Disputes in Russia concerning the authenticity of many works attributed to Malevich circulating the Russian art market

As a major Malevich show opens in London, claims grow that the avant-garde market is still plagued by the fakes

Tate celebrates return of restored Rothko

The product of 9 months of restoration leaves no traces of graffiti ink

Tate unveils Turner Prize shortlist

Three are graduates of the Glasgow School of Art

Cataloguesarchive

Peter Fraser: The photographer filling a gap

This Tate catalogue expands on the British photographer Peter Fraser

Nazi lootarchive

Nazi loot claim for Tate’s Constable

Beaching a Boat, Brighton, has been claimed by the heirs of Baron Ferenc Hatvany

Nicholas Serota discusses an international outlook and Tate’s new worldwide web

Developing a global reach is just as important for major cultural institutions as it is for big businesses

Tatearchive

Works head to Tate fresh from Frieze thanks to the Outset/Frieze Art Fair Fund

Younger and less recognised artists were the order of the day

Tatearchive

Tate borrows £55m for building projects

Renovations and expansions at both London Tates have been costly, and loans were required to bridge gaps in cashflow

Gary Humearchive

Artist Interview: Gary Hume opens the doors of perception at the Tate

A pair of Hume’s swing doors mark the start of his Tate Britain show. But what lies beyond?

Praise for Tate Britain rehang

The move from a thematic hang to a chronological one has been celebrated by critics

Folk art at the Tate Britain

Next Summer's exhibition focuses on the boundaries between the mainstream and the marginal

Tatearchive

Tate Modern loses top museum slot by a hair

The gallery was beaten to the post by the British Museum

May 2013archive

Starry night for Tate in New York: celebrity friends help museum fundraise in style

Sarah Jessica Parker and the mysterious Tate Americas Foundation raise money for Latin American acquisitions

Tatearchive

Artists Barbara Hepworth and Andrew Forge and fellow Tate trustee Herbert Read opposed a £4,665 Lichtenstein in 1966

After a heated debate the purchase, estimated to be worth more than $40m, went ahead

Joan Miróarchive

Miró on loan damaged at Tate Modern

The museum forked out £203,000 for repair and depreciation costs