
Anny Shaw
Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art
S&M-inspired Greek Pavilion in Venice confronts its fascist chains
Andreas Angelidakis's Biennale exhibition honours the murdered drag artist Zak Kostopoulos, while confronting the pavilion's fraught history
Venice exhibition of site-specific films aims to capture the hyper stimulating times we are living in
The show "Canicula" is the third in a series presented by Fondazione In Between Art Film
The Venice Biennale has long been a sales platform—now no one is pretending otherwise
From a Christie's exhibition to a posthumous display of Mel Ramos, this year numerous explicitly commercial shows signal a shift in attitude
Cosmic, concrete, earthy: Nancy Holt’s Land Art on show in UK
The Goodwood Art Foundation hosts Britain's first major exhibition by the US artist
Full extent of Stephen Friedman Gallery's £7.8m debt revealed in filings
The bankrupt gallery owes £800,000 to three prominent artists—Alexandre Diop, Deborah Roberts and Kehinde Wiley—while other major creditors include the logistics company Crozier
Milan’s contemporary art credentials further bolstered by arrival of Paris Internationale
The cutting-edge French art fair is the latest to join an expanding cohort of global players opening in Italy
Not just dollars, euros and pounds: Tefaf speaker sets out art’s deep value for wellbeing
The Tefaf Summit during the fair in Maastricht explores the impact of art beyond economics, and how culture’s role in public policy can be rethought
New rules on importing cultural artefacts create headaches at Tefaf Maastricht
Even the customs authorities responsible for enforcing the regulations seem unsure when and how they apply
Show me the money: UK gallery and auction house accounts reveal reality of a tough market
When the venerable Stephen Friedman gallery shut last month, it followed a number of recent closures. Financial filings of the biggest names in the art market paint a picture of collapsing profitability
Tracey Emin: 'Racist behaviour is dividing our country'
As her landmark Tate Modern exhibition opens, the artist discusses the rise of Reform UK and the British Museum's "terrible colonial past"
UK artist resale right at 20: how successful has the pioneering scheme been?
Challenges loom but artist royalties on secondary sales now apply in 90 countries
Sotheby’s to sell around £2m of art to support the Royal Academy in London
The auction will provide crucial financial support for the institution, which last year was looking at axing 60 members of staff as part of a cost-cutting drive
Saudi Arabia looks to its Modern art history as the art world eyes up the Gulf
With the inaugural Art Basel opening in Qatar, and with Frieze in Abu Dhabi later this year, the Kingdom is looking to the past with its exhibitions and auctions
Stephen Friedman Gallery goes into administration after 30 years
Both London and New York spaces are now shut
Anish Kapoor to show some of his most ambitious projects—realised or not—in Venice
The exhibition of architectural models and sculptures at the artist's Cannaregio foundation will explore the less commercial side of his practice
London show of Lee Miller photographs is fundraising to save thousands of her negatives
Gallerist Lyndsey Ingram is working with the Lee Miller Archives to support the conservation of the photographer’s works and Sussex home
Bing Crosby’s collection brings a white-glove Christmas to Sotheby’s
The $6.7m New York sale of the film star's prized possessions closed out a successful season for the auction house
Banksy’s Bethlehem hotel, closed following 7 October attacks, reopens as ‘cultural platform that carries the narrative of Palestine’
The Walled Off Hotel, which opened in 2017 directly opposite the West Bank barrier, has been described by the street artist as having “the worst view of any hotel in the world”
Cracked it: rare crystal and diamond Fabergé egg sells for record £22.9m in London
Dubbed the ‘Mona Lisa of the decorative arts’, the work is now the most expensive Fabergé egg ever sold at auction
Barely worth its weight in gold: can art still be considered an asset class?
As Maurizio Cattelan's toilet sells to its gold spot price, experts question just how secure of an investment art really is
Stephen Friedman to close New York gallery, two years after opening the Tribeca space
The decision is framed as a “strategic evolution for the gallery as it consolidates its operations in London”
Hauser & Wirth charged with breaching UK’s Russia sanctions
The UK gallery is being prosecuted for allegedly making available a work by George Condo to a person connected with Russia after the country's invasion of Ukraine in 2022
The British artist David Shrigley wants £1m for piles of old rope
The artist, whose practice is underpinned by humour, has a poke at the art market with his new London exhibition
Film-maker Wes Anderson to recreate Joseph Cornell’s New York studio in Paris this Christmas
The Gagosian show will feature a dozen of Cornell’s most recognisable works
Larry Gagosian is revisiting his love for Rubens—bringing a $7m painting to Art Basel Paris
The dealer is showing a depiction of the Christian holy family at his fair booth, three decades after he hosted a show on the Old Master in New York
Shifting the dial: new fair Echo Soho celebrates women-run galleries
The inaugural edition, taking place in Soho Revue's residency space, features 12 gallerists
Embracing independence: meet the artists giving galleries a swerve
A growing number of emerging and mid-tier artists are building their own networks, and using new channels to sell directly to collectors
In the frame: photography comes to the fore at Frieze London and beyond
A medium once marginalised in the art world finds new momentum at the fair and in exhibitions across the capital
Almine Rech reopens in London with downsized gallery
The new venue is around a quarter of the size of Rech’s former London gallery, which closed in August
How Tate's Emily Kam Kngwarray show is revealing the fraught market dynamics of Aboriginal art
Kngwarray's late but dazzling career changed perceptions of Aboriginal art. The curators of her retrospective explore how a sudden demand for her work reflects “complex histories and power dynamics in Australia”





























