Tate Modern

museum

India’s first Pop artist Bhupen Khakhar coming to Tate Modern

Not yet publicly announced, it is scheduled for 2016

Tatearchive

Tate borrows £55m for building projects

Renovations and expansions at both London Tates have been costly, and loans were required to bridge gaps in cashflow

Tatearchive

Tate Modern loses top museum slot by a hair

The gallery was beaten to the post by the British Museum

Moscowarchive

Sweet factory could be Moscow’s Tate Modern

It will be part of a larger development that will include office space, retail outlets and swanky lofts

Joan Miróarchive

Miró on loan damaged at Tate Modern

The museum forked out £203,000 for repair and depreciation costs

Tate Modern’s quick cash-flow fix involves dipping into collections fund

The £12 will be used to complete the London museum's extension, but it will be repaid at a later date

Drip, drag and drape: Tate explores performance art and paint in motion

Tate Modern shows that painting and performance are not polar opposites, but have a long history of interaction

Rothko’s children condemn Tate vandalism

One of Tate Modern's Rothkos is defaced in the name of art

A not so golden Olympics- tourist numbers drop

London’s leading museums lose more than a million visitors during the Games, but Hirst helps Tate Modern buck the trend

The Unilever Series: Tino Sehgal comes to the Turbine Hall

His ephemeral performance art is on display 24 July-28 October

Interviewarchive

Interview with Nicholas Serota: The importance of curating Gerhard Richter

The latest exhibition he has curated opened just last week at Tate Modern, “Gerhard Richter: Panorama”

Tate Modern looks inside the mind of Pere Portabella

The veteran Catalan director has a season of films on show at Bankside

Tatearchive

Tate's flourishing cultural exchange with Oman

As Oman pledges funds to Tate's expansion project, they share their art and know-how

Tate as tenant: Tate Modern alters its Bankside property deal

Trustees’ £142m property deal commutes their current lease

Eastern European cities look to Tate Modern: developing modern museums and contemporary spaces

Budapest, Zagreb and Warsaw raise their game with newer, bigger, better exhibition spaces

New acquisitions by Tate Modern show commitment to diversifying collection

Art from across the globe has recently found a home in Bankside

Chris Dercon as Tate Modern's new director

Outgoing director Vicente Todoli is off to seek new challenges

News from London: Quinn’s polymorphous perversity and Joffe’s secret shop

A night at the Turk’s head, a farewell to Tate Modern’s bon viveur, and the only party to support on election night

Adrian Ellis on Tate's expansion: the definition of success

After a decade of acclaim, will its triumph be topped by Tate Modern 2?

Building a museum powerhouse: A timeline of the Tate Modern

After a decade of acclaim, will its success be topped by Tate Modern 2?

Mark Stephens on art censorship at the Tate: obscenity, indecency, and freedom of speech

Richard Prince's Spiritual America has been the subject of police interference, and the question of unclothed children in art is once again at the forefront

How did the financial downturn impact the market for brand-name artists like Hirst and Murakami?

Both have adopted marketing strategies more typical of luxury goods firms than artists. In 2009 we looked at their market history

Interview with John Baldessari ahead of his upcoming Tate retrospective: “Nobody does anything new”

Baldessari talked to us about his latest work, his early days as a teacher and the infamous incident when he cremated 13 years’ work—and then made cookies out of the ashes

Tate Modern extension snubbed by Lottery Fund

The request was rejected as a 'low priority', with concerns about 'deliverability'

Interview with Anish Kapoor: “I haven’t done much at all”

Despite having tackled some of the most ambitious commissions in contemporary art, such as Tate Modern’s Turbine Hall, the Indian-born British artist Anish Kapoor says “the problems in the end are always in the studio”