Tate Modern
museum
Tate Modern's 'Century City' receives mixed reviews
A vast, nine section exhibition: What the critics said
Artists of the world united
Cities provide the context for many of the 20th century’s most important innovations, but are also environments in which literature, music, art and thought merge, split or collide with one another. Tate Modern’s first major exhibition since opening ambitiously comprises nine sections, 13 curators and 1,500 works spread over two floors. The display combines the scale and global scope of an international biennial with the historical perspective of art’s most varied century
Ten minutes with Lars Nittve on the opening of Tate Modern
Director explains how London’s most popular new tourist attraction set its exhibition policy
Visitor figures fall by one-third at “old” Tate since Tate Modern opening
Relaunch in October 2001 intended to bring back the public
Questionable curatorial decisions favour words over image in Tate Modern's new hang
Tate: Meeting Place or Museum?
The mere announcement, in 1994, that the Tate was to open in Southwark’s obsolete power station, began to attract artists and galleries to this grungy neighbourhood
We speak to galleries and artists that have responded to this Tate factor
Tate indulges sticky fingers and sabotage: works by Smith and Harwood
Tate Modern continues to dominate the London scene, but gets spread around in more ways than it bargained for
Art Chicago 2000: A full house
Despite the opening of Tate Modern, which lured away many buyers, the fair was generally a success
Tate Modern.An astonishing achievement—but.
Last month, 1,800 journalists came to report on London’s new museum; 4,000 guests vied for tickets to the inaugural party, and 105,000 visitors poured in over the first three days
Putting Matisse and Picasso back in the ring at Tate Modern
Matisse wanted his art to be like a comfortable easy chair, while Picasso preferred to think of art as a weapon. But did these statements correspond with reality?
Curator interview: Tate Modern's thematic hang
An exclusive interview with The Art Newspaper about the closely guarded secret: the thinking behind how the Tate Modern has arranged its art
Funding the Tate: A £134 million achievement
With £6m a year to raise, the budget of Tate Modern will require constant effort
The architecture of Tate Modern. Deceptively simple
Architects Herzog & de Meuron play subtle tricks with lighting and glass boxes
Tate modern brasses off in a multimedia display as the London art scene prepares for the gallery's opening next month
Andrew Mummery powers up in a new gallery, Victoria Miro provides a sneak preview of her new space , and a Volkswagen van invades a front room in Camberwell
Tate Britain's new thematic display revealed in 'RePresenting Britain' as international works move to Bankside
The first stage of splitting the Tate Gallery into a museum of British art and a museum of international modern art takes place this month
Iwona Blazwick on her time with Tate and the future of Whitechapel
The number two position at Tate Modern might satisfy most curators but Blazwick has given it up to direct the Whitechapel Art Gallery
Vast Bourgeois for the new Tate as the first of five commissions
Steel sculpture set for the new Tate Modern Turbine Hall
A whole new neighbourhood of art: Tate Modern invigorates the South Bank
Giles Waterfield, former director of the Dulwich Picture Gallery, looks at this witty and non-judgemental enterprise, one of many visual art developments already around the future Tate Gallery of Modern Art
No UK country has poured as much money as England into art commissions since 1995
The £50m art bonanza has funded everything from Gormley's Angel of the North to a 48km sculpture trail
Large Lottery grant to Tate Gallery to buy contemporary art
£6.2 million goes to the new Tate at Bankside before next years opening.
Film installation by Shirin Neshat at Wren church one of many satellite exhibitions to celebrate new Bankside building
On view at St Mary-le-Bow, City of London, until 19 December
Tate Gallery: All for one, and one for all
A radical new organisation has been created by director Nicholas Serota We interview the man he has chosen to lead the future Tate Gallery of British Art
Tate Modern's first director is Lars Nittve
The Swede comes straight from heading Denmark's Louisiana Museum of Modern Art
Janet de Botton gives Tate free reign with her collection
Inspired by the Tate’s plans for Bankside, she gave the museum one third of her massive collection of modern art
A Tate for the 21st century: decisions to be made about the collection remaining at Millbank Tate
With modern foreign art to be displayed at Bankside, opinion within the Tate differs as to how the story of British art should be told
Tate narrows the list of proposed architects for Bankside extension
Who will design the new Tate Gallery?
Tate planning a national gallery for the twentieth-century before the twentieth century’s done
Tate makes early bid for National Lottery largesse to expand southward
Should the Tate Gallery split?
We asked leading figures in the art world whether the Tate should divide into the British Collections and a museum of international modern art: all but one were in favour