This show originated last year at the Art Gallery of Ontario in Toronto under the curatorial leadership of Catharine Lochnan, before touring in 2005 to the Grand Palais in Paris and Tate Modern, London. It attracted very large numbers of visitors at all three venues.

Overheard conversations suggest the Turbine Hall may be seeing this artist sooner rather than later...

Due to a policy not to allow political events, the Tate declined to host Tony Blair's shindig

Most are extremely difficult to redisplay elsewhere

The museum has announced an ambitious development project which could cost up to £135 million

Could the commission for Tate's Turbine Hall create its own climate

20 sculptures fill the iconic space

Now on at the Tate Modern

The Spaniard speaks on his 20 years of experience and his visions of the future

The show will open at Tate Modern later this month

A Spaniard for Tate Modern

The opening of Tate Modern has proved to have tough consequences

The sculptor succeeds Louise Bourgeois and the late Juan Muñoz

This show has been in Berlin, and will next travel to Los Angeles

At the close of the century, Tate Modern looks back at one of the biggest names in 20th-century art

It will be the first major exhibition devoted to Surrealism in over 20 years

Georgina Starr moves galleries and Magnani goes east

First year of success for Tate Modern

The Tate and the Walker Art Center collaborate to show Arte Povera 1962 to 1972, from five years before the movement was defined by its impresario, Germano Celant

A vast, nine section exhibition: What the critics said

Cities provide the context for many of the 20th century’s most important innovations, but are also environments in which literature, music, art and thought merge, split or collide with one another. Tate Modern’s first major exhibition since opening ambitiously comprises nine sections, 13 curators and 1,500 works spread over two floors. The display combines the scale and global scope of an international biennial with the historical perspective of art’s most varied century

Relaunch in October 2001 intended to bring back the public

Tate: Meeting Place or Museum?

We speak to galleries and artists that have responded to this Tate factor

Tate Modern continues to dominate the London scene, but gets spread around in more ways than it bargained for

Despite the opening of Tate Modern, which lured away many buyers, the fair was generally a success

Last month, 1,800 journalists came to report on London’s new museum; 4,000 guests vied for tickets to the inaugural party, and 105,000 visitors poured in over the first three days

Matisse wanted his art to be like a comfortable easy chair, while Picasso preferred to think of art as a weapon. But did these statements correspond with reality?