Sculpture
MoMA buys Ellsworth Kelly sculpture at Art Basel
Nine museums, including MoMA and Tate Modern in London, are mounting special presentations this year to mark Kelly’s landmark birthday
Art enters the third dimension as 3-D printing goes mainstream
Assessing the impact of technological advances in 3-D printers and scanners on the art world, and what it means for the future
Cambodian sculpture case will go to trial
Sotheby's sale halted as Cambodia demands its return
Connoisseur collectors: A story of ten approaches to acquiring art
From Liechtenstein to Lisbon, these collectors discuss their interests and methods
Investigating under Ernst’s surfaces at the Fondation Beyeler
Technical analysis could reveal secrets of rare Ernst plaster sculpture
Exhibition at Hamburger Kunsthalle to approach Giacometti as an early land artist
The Swiss artist’s unrealised sculptural compositions are on loan from the Guggenheim Collection
Lawrence Wiener, the pioneer of Conceptual art, on transcending physical context and his egalitarian outlook
“The work has no metaphor: it is what it is”
Collectors flock to Lalanne sheep, driven by recent exhibition at the Paul Kasmin Gallery
Set of sheep sell for $746,500
Discovery of a prehistoric sculpture in Saudi Arabia could mean horses tamed in 7000BC
It’s a Late Stone Age horse, of course?
Interview with Oscar Tuazon: Sculptures you are supposed to play with
Artist Oscar Tuazon on his Public Art Fund project for Brooklyn Bridge Park
French collector Edouard Carmignac plans offshore sculpture park
It will be situated in Porquerolles, near St Tropez, and be funded by the Cermignac Gestion Foundation
Urs Fischer, the reluctant interviewee
On the eve of his Palazzo Grassi retrospective, the artist talks about how journalists have misinterpreted his work
The man who built a village for his sculpture
On the eve of his retrospective in Vienna, reclusive artist Walter Pichler offers a rare glimpse inside his Austrian farm
Paul McCarthy: 'Artists are seen as one step above criminals'
The artist on his early B-movie ambitions, art schools, the pressure to move to New York and why he’ll never leave Los Angeles
Hare raising Barry Flanagan exhibition now on at the Tate
The display explores a broad range of Flanagan's work, showing there’s more to Flanagan than jumping hares
Man who posed as count in Giacometti scam handed nine-year sentence by German courts
This ruling concludes a case launched after discovery of 1,150 fake sculptures
Interview with Richard Serra: It is the contradictions, not the similarities, that make the Beyeler Foundation show interesting
Discussing the differences between Serra and Brancusi
Ron Mueck makes fair debut at Art Basel 2011
His sculptures have previously been available to view exclusively in public collections
A warm welcome at Sunnylands as the favourite retreat of American presidents gets a new visitor centre
The continuing restoration of the home makes it fit for a queen (Queen Elizabeth II to be precise)
Size matters: Why are works still getting bigger?
Big excitement over bigger and bigger works
“He enabled me to know myself better”: Interview with Giacometti's last surviving muse, Paola Carola
One of the sculptor's models reflects upon his enduring influence and how he changed her life
Art in the media: Alastair Sooke inspires, Matthew Collings takes a swipe at Tracey Emin and Martin Creed fails to enlighten
Plus, Stephen Fry as Pope Innocent X
Lynda Benglis: not a material girl
The artist on the 1970s feminist movement, unsolicited opportunities and that legendary Artforum advert
Bolton’s fake Egyptian princess returns to the duped museum
While its real antiquities from Egypt travel to China
The story behind Matisse's Backs: Tate's bargain buy
The gallery paid £11,000 for the four bronze sculptures in 1957 - Christie's just sold one for $48.8m
Calder in Chicago’s Willis tower in legal battle
Former owners of the building stake their claim over the 1974 piece Universe
Collector plans sculpture park to “celebrate women”
Sense of embarrassment about real estate investor’s concept
Interview with Claes Oldenburg on his bitter-sweet new project: “The objects of today are not interesting”
Claes Oldenburg on his love of things, the loss of his wife and whether to accept a commission for Abu Dhabi