Photography
Martin Parr describes in an interview how he picks up on clichés and consumerism
Multiple common sense courtesy of Xerox
Techno-art in Tokyo with two new institutions focusing on new media
Japan’s technological expertise and interest in media art on display at the Inter Communication Centre and the Image and Technology Gallery
German season in London
Rosemarie Trockel, Andreas Gursky and Stephen Balkenhol all show new work
Behind the scenes at MoMA with John Elderfield and Kirk Varnedoe
Exhibitions, projects, budgets, and attendance at the Museum of Modern Art in New York
Gilles Mora, Photospeak: a guide to the ideas, movements and techniques of photography, 1839 to the present (Abbeville Press, New York, 1998), 216 pp, 50 b/w ills, 13 col. ills, £20 (hb) ISBN 0789203707, £12.95 (pb) ISBN 0789200686
A Review of Mora's new book on photography
Europe’s top photography collection now has a permanent gallery. From the dawn of photography to now
At the Victoria and Albert Museum, a single curator, Mark Haworth-Booth, has developed one the four greatest collections in the world
Top collector Werner Bokelberg suing for over $1.7 million-worth of “vintage” Man Ray prints
Magnificent Man Rays turn out to be too good to be true, throwing doubt over other collections of his work
“The photography market in the future lies with collectors who can spend $10,000”
Photography sales on a high with prices continuously increasing
Requiem for photojournalism: New publications and exhibitions
“Today the photo magazines have all folded or been turned into vehicles for lifestyles and personality portraits”
Knoedler donates photo archive to Frick
The contribution was in recognition of the Frick's role in hosting the gallery's anniversary show
American photography at the Victoria and Albert Museum. Vernacular aesthetics and aesthetic vernacular
The organisers propose an opposition between “vernacular” and “aesthetic” photography but the images do not allow it
James Hall argues in defence of iconoclastic art
A response to critic Andrew Graham-Dixon’s opinions on the power of images as expounded in his current BBC tv series
An interview with Peter Galassi, Chief Curator of Photography at the Museum of Modern Art, New York
“It is impossible to say in advance when photography is an art and when it is not”
How fares the digital revolution: A look at the Corbis Corporation
We assess the benefits that have accrued to museums and publishers so far
John Deakin at the National Portrait Gallery: Bacon and the Soho bohemia
Retrospective on until 14 July
Subject over style for Italian collectors, as photography continues to be commodity of choice
Works of illustration and Italian genre photography have been market favourites since the seventies
Photography thriving in London, shortage of collectors notwithstanding
Few buyers, but innovative galleries win the public's approval
Digital visual library expands
Interactive Home Systems partners with National Gallery and Seattle Art Museum
Here we go again: books of Mapplethorpe photographs banned from sale at the V&A and Harrods
The episode had overtones of "An American were-wolf in London"
The fashion for fashion photos: any exhibition that deals with fashion is guaranteed box office success
A rising market for the Vogue shot: two shows, one at the V&A, the other at Hamilton’s
Photographic exhibition documents the cost of the Croatian conflict
A harrowing look into the damage wreaked during the last seven months