Photography
Lewis Hine prints under scrutiny as hundreds are found to have been posthumously produced
Many Lewis Hine images have been printed after his death without authorisation, some on papers from as late as the seventies
FotoFest 2000 combines traditional techniques with modern innovations
The Houston international photographic biennial is the only event of its kind in the US
Decisive moments: the history of photography at the V&A
How photographers from 1845 to the present have reflected time
Interview with Jeff Rosenheim and Maria Morris Hambourg on Walker Evans: At the roots of Warhol
The upcoming Met exhibition presents the whole career of the photographer famous for his images of the Depression
The looming spectre of a large scale photograph : Our choice of New York contemporary galleries
Drawing on draughtsmanship at Alexander and Bonin, Paula Cooper, Zwirner and Marlborough
What's on in New York: Tackling the digital age
Shows include the first retrospective of images by Hiro at Pace/MacGill and Todd Eberle's computer portraits
Ninetieth-birthday tributes to Cartier-Bresson at the V&A
The exhibition includes many highlights from the immense collection
Book review: Gautier Deblonde with Mel Gooding on prominent British artists
Artists (Tate Gallery Publishing, London, 1999)
Books: Expanding on Hallmark's photographic collection
This second edition includes even more of the collection, providing a fine survey of the medium in America
Books: Capa's photographs of the Spanish Civil War
Tales of stoicism in the face of extreme adversity
Man Ray photographs from the J. Paul Getty Museum
The book forms part of the museum's paperback photography series
“Private dreams and unknowable pleasures” in early photography
Clementina, Lady Hawarden, a forgotten precursor of Julia Margaret Cameron, is the subject of this book and of the Victoria and Albert Museum exhibition
Books: Caroline Tisdall's new book is the way to go on anything Beuys
This substantial volume, predominantly photographic, is the comprehensive account of Joseph Beuys’s life and work
LGBT photography collection grows at the Guggenheim
A large archive of George Platt Lynes photographs, including portraits, fashion shots and homo-erotic studies, joins the Mapplethorpe bequest
Martin Parr describes in an interview how he picks up on clichés and consumerism
Multiple common sense courtesy of Xerox
Techno-art in Tokyo with two new institutions focusing on new media
Japan’s technological expertise and interest in media art on display at the Inter Communication Centre and the Image and Technology Gallery
German season in London
Rosemarie Trockel, Andreas Gursky and Stephen Balkenhol all show new work
Behind the scenes at MoMA with John Elderfield and Kirk Varnedoe
Exhibitions, projects, budgets, and attendance at the Museum of Modern Art in New York
Gilles Mora, Photospeak: a guide to the ideas, movements and techniques of photography, 1839 to the present (Abbeville Press, New York, 1998), 216 pp, 50 b/w ills, 13 col. ills, £20 (hb) ISBN 0789203707, £12.95 (pb) ISBN 0789200686
A Review of Mora's new book on photography
Europe’s top photography collection now has a permanent gallery. From the dawn of photography to now
At the Victoria and Albert Museum, a single curator, Mark Haworth-Booth, has developed one the four greatest collections in the world
Top collector Werner Bokelberg suing for over $1.7 million-worth of “vintage” Man Ray prints
Magnificent Man Rays turn out to be too good to be true, throwing doubt over other collections of his work
“The photography market in the future lies with collectors who can spend $10,000”
Photography sales on a high with prices continuously increasing
Requiem for photojournalism: New publications and exhibitions
“Today the photo magazines have all folded or been turned into vehicles for lifestyles and personality portraits”
Knoedler donates photo archive to Frick
The contribution was in recognition of the Frick's role in hosting the gallery's anniversary show
American photography at the Victoria and Albert Museum. Vernacular aesthetics and aesthetic vernacular
The organisers propose an opposition between “vernacular” and “aesthetic” photography but the images do not allow it
James Hall argues in defence of iconoclastic art
A response to critic Andrew Graham-Dixon’s opinions on the power of images as expounded in his current BBC tv series
An interview with Peter Galassi, Chief Curator of Photography at the Museum of Modern Art, New York
“It is impossible to say in advance when photography is an art and when it is not”
How fares the digital revolution: A look at the Corbis Corporation
We assess the benefits that have accrued to museums and publishers so far
John Deakin at the National Portrait Gallery: Bacon and the Soho bohemia
Retrospective on until 14 July