Venice Biennale
François Pinault poaches leading Paris fair director
Martin Bethenod to head collector’s Venice venues as disquiet grows over stalled exhibition programme
Which artists were present at the Venice Biennale as well as Art Basel '10?
A second opportunity to buy
Watercolours by Cholla the painting horse featured at the Venice Biennale
An equivalent was not to be found at Art Basel, which upheld tradition in its biped-only selection
Interview with Robert Storr, director of the 2007 Venice Biennale: "I would recommend dramatically increasing the number of national pavilions"
In the second part of our interview with Storr, he considers the question of how to make the historic event truly representative of today’s global art world
Russian art collective AES+F celebrates 20th anniversary with retrospective
Tate acquires edition of video shown at this year’s Venice Biennale
Is a Venice Biennale presence the key to Art Basel sales?
Some claim that a good reception at the Biennale ensures an artist's name is stamped in market memory
Pinault procures Polke paintings
Billionaire is set to open new Venice museum in 2009
Has Art Basel lost out to Venice and Documenta?
European museums are at the fair, but some dealers say that US institutions are less prominent
Trend for newest art possible takes hold as dealers benefit from coordination with Biennale: Art Basel 2005
Art Basel '05 fair report
Comparing and contrasting art world heavy-weights: Venice Biennale vs. Art Basel
The difference in experiences offered by each of these iconic fairs, and the symbiosis this leads to
Art in the age of global terrorism: censorship at the Venice Biennale
The story of Gregor Schneider’s installation for St Mark’s Square
Gregor Schneider cries censorship at Arsenale
Controversy over Venice Cube project
My Basel: Michael York sighted at Biennale and Art Basel
The star of 'Cabaret' looks on as his wife, photographer Pat York, steps into the limelight
Vanity Fair photographer Todd Eberle to capture action at European art fairs
Attendees could find themselves in front of too candid a camera
Works in Basel's Art Unlimited parallels that of the Venice Biennale’s Arsenale show
Political video is strong in both, but the variety of art is greater in Basel
Venice Biennale gets two women curators
Appointment of Maria Corral and Rosa Martinez announced
Women curators appointed for the first time ever, to be followed by an American in 2007
Less circus, more focus at the Venice Biennale
Works by younger artists for cheaper prices favoured at Art Basel 2003
Art Basel '03 fair report
Interview with Francesco Bonambi: The post-war Biennale and national vs. individual identity
Long live the united nations of the arts?
James E. Rondeau to head Art Basel Miami Beach
The seasoned curator will now turn his attention to the direction of the Modern and contemporary art fair
Luc Tymans: on pigeon power
Belgium's representative at this year's Venice Biennale explains why pigeons are not symbols of peace, how he depicts violence without actually showing it and why he returned to painting
Interview with museum director and curator Udo Kittelman: “The curator should never be more important than the artist”
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art
Art Basel 2001 report: Collectors motivated by passion rather than stock market swings
This year has served as a good barometer of the Modern art market
Szeemann's moving Venice Biennale: Video work dominates 49th edition
Our overview also reveals the highs and lows of this year's biennale, which draws heavily on Scandinavian artists and pays tribute to grand masters Serra, Beuys, Twombly and Richter
Interview with fair director Samuel Keller: Art Basel, the commercial complement to Venice
The director of the world’s top modern and contemporary art fair prides himself on the new talent it has discovered
Interview with Ann Hamilton: The Biennale and seeing through the American dream
The American artist, forty-three, represents the US at the Venice Biennale this year
Buyers galore but a bit of a bore: Art Basel 1999
Collectors came out in force, but much of the art on show was not as exciting as that seen at Venice or offered by the auction houses
The brains behind the Biennale: Interview with Harald Szeemann
The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99
Attendance and profits of the Venice Biennale's 49th edition
This year marks a comeback, but there is still room for improvement