Venice Biennale
James E. Rondeau to head Art Basel Miami Beach
The seasoned curator will now turn his attention to the direction of the Modern and contemporary art fair
Luc Tymans: on pigeon power
Belgium's representative at this year's Venice Biennale explains why pigeons are not symbols of peace, how he depicts violence without actually showing it and why he returned to painting
Interview with museum director and curator Udo Kittelman: “The curator should never be more important than the artist”
The new director of Frankfurt’s Museum of Modern Art is self taught (he trained as an optician), curator of the German pavilion at this year’s Venice Biennale, and passionately involved in contemporary art
Art Basel 2001 report: Collectors motivated by passion rather than stock market swings
This year has served as a good barometer of the Modern art market
Szeemann's moving Venice Biennale: Video work dominates 49th edition
Our overview also reveals the highs and lows of this year's biennale, which draws heavily on Scandinavian artists and pays tribute to grand masters Serra, Beuys, Twombly and Richter
Interview with fair director Samuel Keller: Art Basel, the commercial complement to Venice
The director of the world’s top modern and contemporary art fair prides himself on the new talent it has discovered
Interview with Ann Hamilton: The Biennale and seeing through the American dream
The American artist, forty-three, represents the US at the Venice Biennale this year
Buyers galore but a bit of a bore: Art Basel 1999
Collectors came out in force, but much of the art on show was not as exciting as that seen at Venice or offered by the auction houses
The brains behind the Biennale: Interview with Harald Szeemann
The Biennale director who launched the “Aperto” section for young artists is now replacing it with “d’Apertutto” as the theme of Biennale ‘99
Attendance and profits of the Venice Biennale's 49th edition
This year marks a comeback, but there is still room for improvement