Exhibitions

Below-the-radar art graduates feature in New York show

Artists chosen by former Whitney director come from across the US

Gauguin, Degas, Man Ray: Danish gallery finds alternative to blockbusters

Copenhagen's Ny Carlsberg Glyptotek puts curiosity before crowd pleasing spectacles

Yoko Ono’s gleeful middle finger: Chloe Wyma on the artist’s MoMA retrospective

The artist’s show is a smart corrective to the standard narrative

The quiet plight of everyday life: Harry Thorne on Duane Hanson

The American sculptor is at his best when his work leaves problems to be resolved

Yorkshire celebrates Caro with double-venue retrospective

Exhibition at Yorkshire Sculpture Park and Hepworth Wakefield opens this weekend

Artists respond to call from the Bronx

Work by more than 70 emerging artists from across New York featured in Bronx Calling

Sartorial artistry: Susan Jenkins discusses Eastern influence on Western fashion

The exhibition offers an overview of how Chinese culture has influenced Western fashion

Fleeting joy: José da Silva on Christopher Williams at Whitechapel Gallery

There was room for improvement in the first UK retrospective of the American artist

Bowes Museum stages UK's first Yves Saint Laurent exhibition

Late French designer's androgynous tuxedos and Mondrian-inspired shift dresses come to north east England

Whitechapel to host UK's most comprehensive exhibition of Arab art

Series of shows will include more than 100 works drawn from the Barjeel Art Foundation

Edinburgh and London host major Liotard shows despite ‘no fly rule’ for pastels

Many works by 18th-century portraitist deemed too fragile to travel from US

Metropolitan Museum plans major Fontana show for 2017

Italian artist’s New York survey could be in the Met Breuer

Fontana as you’ve never seen him before

HangarBicocca show in Milan will throw new light on artist’s walk-in installations

Exotic seasoning, but nothing too foreign: Rachel Corbett on the Triennial Bruges

The newly revived exhibition has some nice work on view, but is far better-behaved than its avant-garde past