Contemporary art
September opening for David Robert’s space in North London
The gallery will feature a selection of his 2,000 plus collection
The man who built a village for his sculpture
On the eve of his retrospective in Vienna, reclusive artist Walter Pichler offers a rare glimpse inside his Austrian farm
Vanity, vanity: the problems facing China’s private museums
Spaces bloom and then wither as founders’ commitment quickly fades
Interview with Liam Gillick: “There’s a perversity in my method”
With a biennial, two shows and a knitwear range on the go, Liam Gillick talks about the lasting effect of his Goldsmiths years
Momart dispute reveals hazards of shipping art
Call a specialist, you could get a commercial courier
Tate Acquisitions: Felix Gonzalez-Torres
The artist's work is among 287 purchases made by Tate in the last year
Interview with Glenn Kaino: Now you see him...
When Kaino thought the art world was getting too obsessed with money, he retreated into the realm of magic
In a rare interview, Victor Pinchuk tells us about his plans to build a new contemporary art space in Kiev
A “landmark” museum for Ukraine
Interview with George Condo: Finding a theatre for the absurd
Velázquez meets Bugs Bunny in George Condo’s first major retrospective on the South Bank
As New York prepares to display Cambodian art new and old, we assess the growing recognition of Cambodian contemporary art
An overview of the Cambodian art market, as well as names to look out for, and the legacy of the Khmer Rouge
Paul McCarthy: 'Artists are seen as one step above criminals'
The artist on his early B-movie ambitions, art schools, the pressure to move to New York and why he’ll never leave Los Angeles
Interview with Wilhelm Sasnal: Home is where the art is
Wilhelm Sasnal on how his native Poland provides the inspiration for his work on canvas and celluloid
Hare raising Barry Flanagan exhibition now on at the Tate
The display explores a broad range of Flanagan's work, showing there’s more to Flanagan than jumping hares
Books: Art not made by artists and trends in art production
When artists subcontract technicians to make the works they design, who’s the artist?
Gagosian plans Hirst catalogue and major multi-venue exhibition as spots take over the world
Just how many spots has Hirst painted in the past 25 years?
Twisted ways of seeing: Interview with Carsten Höller
Höller has a PhD in insect communication, but he abandoned the rules of science for the “subjective experience” of art
Oslo could get a contemporary art space bigger than the Turbine Hall of London’s Tate Modern
A fortress's sewage works may soon become home to contemporary art installations
Interview with Richard Serra: It is the contradictions, not the similarities, that make the Beyeler Foundation show interesting
Discussing the differences between Serra and Brancusi
Interview with Mike Nelson: On the biennale, Turkey, and being “not quite sure what installation is…”
His work at the Venice Biennale has meant rebuilding an installation inside a rebuilt caravanserai within the British Pavilion
Size matters: Why are works still getting bigger?
Big excitement over bigger and bigger works
Art market's '08 boom and bust reflected in Chinese contemporary art sales
Figures saw buyers losing interest in the genre, before they regained confidence early last year
"Painting the Absolute": Four volumes on Kazimir Malevich, the pioneering painter-priest of abstraction
Andréi Nakov, a leading expert on Malevich, has produced a large-scale study of the Russian avant-garde's art and life
Revealed: secrets of the Tate bricks
Newly released documents uncover a heated argument and the search for spares
Turkish artists get more international exposure following art sale at UK auction houses
A careful look at the catalogues unveils some of the peculiar dynamics of the market for Turkish contemporary art
Some of the leading contemporary art collectors of China
While the stereotype of Chinese collectors includes a focus on traditional and historical Chinese art, these collectors buck the trend
Collectors from mainland China are beginning to buy across the board, both at home and abroad
“Is a new generation turning to contemporary art?”
Interview with dealer Paul Kasmin: “I get a lot of amusement putting what’s downtown, uptown”
The New York-based dealer on his photographic roots and his future plans
The Art Show fair report: Setting a sophisticated tone
Collectors queue to view classic modern and contemporary works
“I lived poor and there was no shame”: Interview with Susan Hiller on overcoming the art market
The artist speaks about the 1970s, public engagement, and the supernatural