Contemporary art
Twisted ways of seeing: Interview with Carsten Höller
Höller has a PhD in insect communication, but he abandoned the rules of science for the “subjective experience” of art
Oslo could get a contemporary art space bigger than the Turbine Hall of London’s Tate Modern
A fortress's sewage works may soon become home to contemporary art installations
Interview with Richard Serra: It is the contradictions, not the similarities, that make the Beyeler Foundation show interesting
Discussing the differences between Serra and Brancusi
Interview with Mike Nelson: On the biennale, Turkey, and being “not quite sure what installation is…”
His work at the Venice Biennale has meant rebuilding an installation inside a rebuilt caravanserai within the British Pavilion
Size matters: Why are works still getting bigger?
Big excitement over bigger and bigger works
Art market's '08 boom and bust reflected in Chinese contemporary art sales
Figures saw buyers losing interest in the genre, before they regained confidence early last year
"Painting the Absolute": Four volumes on Kazimir Malevich, the pioneering painter-priest of abstraction
Andréi Nakov, a leading expert on Malevich, has produced a large-scale study of the Russian avant-garde's art and life
Revealed: secrets of the Tate bricks
Newly released documents uncover a heated argument and the search for spares
Turkish artists get more international exposure following art sale at UK auction houses
A careful look at the catalogues unveils some of the peculiar dynamics of the market for Turkish contemporary art
Some of the leading contemporary art collectors of China
While the stereotype of Chinese collectors includes a focus on traditional and historical Chinese art, these collectors buck the trend
Collectors from mainland China are beginning to buy across the board, both at home and abroad
“Is a new generation turning to contemporary art?”
Interview with dealer Paul Kasmin: “I get a lot of amusement putting what’s downtown, uptown”
The New York-based dealer on his photographic roots and his future plans
The Art Show fair report: Setting a sophisticated tone
Collectors queue to view classic modern and contemporary works
“I lived poor and there was no shame”: Interview with Susan Hiller on overcoming the art market
The artist speaks about the 1970s, public engagement, and the supernatural
Los Angeles Broad Art Foundation aims at ultra accessibility
Los Angeles collectors Eli and Edythe Broad open their doors
Christen Sveaas is showing part of his collection at his Oslo restaurant
Collector hangs his art by the hors d’oeuvres
Harald Falckenberg on art as adventure, working with the Hamburg Deichtorhallen, and owning 150 works by Richard Prince
“Collectors have a tendency to self-delusion”
Interview with Peter Weibel: Centre for Art and Media Karlsruhe “will be the Louvre of media art”
Peter Weibel, head of ZKM Karlsruhe, on the Moscow Biennale and subverting military technology to create virtual sculpture
Major collectors to host (e)merge fair in DC
Washington DC fair will focus on youth and young artists
Art Basel Miami Beach banks on the tried and tested
Established artists first to sell as collectors take their time over emerging talents
Interview with Elmgreen & Dragset on staging their newest work: “Actors are playing us, but we might interfere”
The artists on splitting up but staying together and why they are putting their lives on stage
Interview with Jonathan Meese: "I am the samurai of art”
The German artist explains why he puts aggression and provocation centre stage—along with his mum
Frieze London fair report: Bling is out, but big is back (though the prices are sober)
The fair drew the major collectors, its quota of celebrities and plenty of students. But the feel was calm, not frenzied
Interview with Ged Quinn: “I don’t have this notion of extreme skill”
On the benefits of a free education, the influence of Caspar David Friedrich and working in pyjamas and wellies
Antony Gormley’s statue for UK war museum was shot down by Battle of Britain hero
The sculpture of a girl between a rocket and a missile "was a step too far for the board," says the UK artist
MoMA and Asian Art Archive explore the evolution of Chinese contemporary art
Many key documents now translated
“Art spies” said to be on look out for non-approved events
Conflict between government and arts organisers at Shanghai World Expo
New acquisitions by Tate Modern show commitment to diversifying collection
Art from across the globe has recently found a home in Bankside
Should fairs feel threatened by gallery weeks?
A complementary relationship is far more likely…