Commercial galleries

What's on in Paris: Citizens of the world

The sculptures of Louise Nevelson and political paintings of Léon Golub, from the US, the ArtePovera of Alighiero Boetti from Italy, the historic legends of Anselm Kiefer and wax figures of Thomas Schütte, both from Germany

Art Baselarchive

New Young Art Fair allows smaller galleries to appear alongside Art Basel

The fledgling fair will operate in tandem with the main fair, which has attracted 250 participants from twenty countries

Photography thriving in London, shortage of collectors notwithstanding

Few buyers, but innovative galleries win the public's approval

Calder for sale in London

Tapping into the artist's popularity after the success of his RA appearance

Art Baselarchive

Art Basel's space dedicated to graphics will split with fair's core site

This new arrangement clears the way for developments implemented to give dealers further exposure

What's onarchive

What's On in Paris: Connecticut art as an export and Warhol's preliminary shots

Also, a exhibitors unite for show entitled "Art spoken here" and sculptor Ronald Jones's debut exhibition in France

Basquiat’s dealer disappears pursued by creditors

Baghoomian vanishes while Basquiat paintings remain missing

What's on in New York: Bars, overlays, assemblages, and plug-in art

Arman, Bailey, Johns, Ono, Rauschenberg, Salle, and more

Michael Werner Gallery sells Berlinische Galerie a Baselitz for DM2.3 million

The buy was demonstrative of the gallery's commitment to acquiring works from that period

What's on in New York: Lelong remembers Mendieta while Polke shocks chauvinists

Serra celebrates at Gagosian’s while Grey Gallery plays dress-up

What's on in Los Angeles: Transport art and anti-war protest

With a notable appearance by Marie Raymond, mother of Yves Klein and a talented artist in her own right

What's on in New York: The British are here

As well as Hoffmann, Kruger, Sultan, Koons, Klein and Kandinsky

Gallery owner Cannaviello plans a broad-ranging Modern art museum in Milan

It would be the first to be run as a plc, with works of art as its capital base and private collectors as its shareholders