Commercial galleries
Art Basel's space dedicated to graphics will split with fair's core site
This new arrangement clears the way for developments implemented to give dealers further exposure
What's On in Paris: Connecticut art as an export and Warhol's preliminary shots
Also, a exhibitors unite for show entitled "Art spoken here" and sculptor Ronald Jones's debut exhibition in France
Basquiat’s dealer disappears pursued by creditors
Baghoomian vanishes while Basquiat paintings remain missing
What's on in New York: Bars, overlays, assemblages, and plug-in art
Arman, Bailey, Johns, Ono, Rauschenberg, Salle, and more
What's On in Berlin: Dennis Adam's image constructions, Johannes Geccelli's fragmented colour blocks and another location for Bremen Galerie Wolfgang Werner
The Werner will give visitors a taste of Vuillard in anticipation of the Washington show
Michael Werner Gallery sells Berlinische Galerie a Baselitz for DM2.3 million
The buy was demonstrative of the gallery's commitment to acquiring works from that period
What's on in Berlin: Pre-war galleries are back
Celebrating Dix at Nierendorf since 1922
What's on in New York: Lelong remembers Mendieta while Polke shocks chauvinists
Serra celebrates at Gagosian’s while Grey Gallery plays dress-up
What's On in Paris: Cécile Bart's fields of colour, Max Ernst, Man Ray and Giacometti in combination and Picasso alongside Christo at the J.G.M.
Surrealism à la mode
What's on: Richter and refrigeration units
Hot shows to see in London this month
What's on in New York: Art after dark and pregnant men in bus shelters, waterpurifying inventions and early studio pots
That is: Barbara Kruger, Helen and Newton Harrison, and George Ohr
What's on in Los Angeles: Transport art and anti-war protest
With a notable appearance by Marie Raymond, mother of Yves Klein and a talented artist in her own right
What's on in New York: The British are here
As well as Hoffmann, Kruger, Sultan, Koons, Klein and Kandinsky
Gallery owner Cannaviello plans a broad-ranging Modern art museum in Milan
It would be the first to be run as a plc, with works of art as its capital base and private collectors as its shareholders