New buildings grab attention, but they are not always the best way of increasing a museum’s influence and audiences

After 75 years of fumbling, the New York museum can use the Breuer building to play to its strengths and explore art-making across time

Anna Somers Cocks attended the annual March Meeting and found it did not shy away from the pain, extremism and corruption of the world today

Its rich store of treasures deserves better, and that requires unburdening private collectors and welcoming in business

Female artists, collectors, curators and philanthropists are playing a leading role in developing the arts scene in South Asia

A forthcoming White Paper aims to set out the most far-reaching strategy for 50 years

Is gallery space still worth paying rent for or will Instagram replace it all? Art Basel director Marc Spiegler gives us the answers

It should provide guidance on who is responsible when forgeries are sold

The superstar art lover backed the British critic's first forays into book publishing

Museums must widen the ways in which they serve their audiences to reflect new forms of social interaction

Who was hot and who was not this year, featuring Anish Kapoor, Rachel Rose and Chris Ofili

In her lifetime, the art collector’s personal reputation was shredded, but, as Lisa Vreeland’s film shows, her influence on the art world was astonishing

Why political works continued to dominate this year

Following the terrorist attacks in Paris, Beirut and Bamako, and as The Art Newspaper continues its debates in Moscow, the New York gallerist shares her thoughts on art's purpose, originally published after 11 September 2001

With the European Union in crisis, museums have an obligation to demonstrate what cultural exchange can achieve

State institutions shouldn’t collaborate with those who don’t understand their wider aims

Even sites associated with the Prophet's family make way for skyscrapers and mega-hotels

Protests about the gallery’s lack of transparency concerning the energy company's sponsorship miss the point of how big business and the arts interact

While the 2008 global financial meltdown largely failed to dent sales, in 2015 our editor-at-large warned that the falling oil price experienced at the time could prove much more serious

Even if it proves legal to sell paintings in the Detroit Institute of Arts, there is a moral case to consider

They represent good and bad aspects of Iraq’s modern history and cannot simply be obliterated