The conversations are better, the public is enthusiastic, and there is enough, but not too much art—and it’s good

After years of delay, the UK government is on track to become a world leader in wartime heritage protection

Why a show in Berlin of Tehran’s superb collection of Modern art is a crucial part of Germany’s foreign policy

Devolution or even independence could create a stronger Tate Modern and Tate Britain after Nicholas Serota’s departure

The plan to scrap the A-level examination is disastrous and must be challenged

Judge's findings reveal what to look out for in art transactions

The Royal Photographic Society’s collection needs a strong advocate within the museum if ambitious plans for its future are to be realised by Martin Roth’s successor

Trial in The Hague of Islamic extremist reminds us that the destruction of built heritage and human life are often linked

As Cuba opens up to the US, the island’s outstanding Modern architecture faces a new threat

A year on from Alan Kurdi's death, only Germany has lived up to Europe's moral imperative to welcome Syria's refugees

Auction of the late art critic’s collection inspires sadness­—but excitement too

Denver exhibition shows how many women were movers and shakers in the New York School from the start

A relentless focus on economics has stopped us discussing the intangible things we need

Artists, architects and curators tell us about the spaces they love—and hate

Author and museum founder delivers video message to international museum conference in Milan

Bendor Grosvenor says Britain leaving the European Union could be costly for the arts and art market

The hedge fund manager and art collector J. Tomilson “Tom” Hill III explains why a work’s staying power is more important than its market price

The Nobel Prize-winning neuro-psychiatrist Eric Kandel explains what happens when we look at art

A necessary restriction or a betrayal of everything the museum stands for?

James Cuno, the president of the Getty Trust, says the world must find ways to intervene and protect antiquities when nation-states cannot do so <br>

How Los Angeles dealer Douglas Chrismas leveraged his property to attract artists, reassure clients, and generate income—even while facing financial disaster

But some archaeologists argue for conserving what is already uncovered

The father of psychoanalysis may have fallen from favour in his own field, but today’s artists remain fascinated by his work, 160 years after his birth. Two academics and an artist explain why

Repercussions of the Knoedler Gallery case

As the Tate and National Gallery consider the limits of their collections, Giles Waterfield on the latest in a 200-year wrangle between institutions <br>