A year on from Alan Kurdi's death, only Germany has lived up to Europe's moral imperative to welcome Syria's refugees

Auction of the late art critic’s collection inspires sadness­—but excitement too

Denver exhibition shows how many women were movers and shakers in the New York School from the start

A relentless focus on economics has stopped us discussing the intangible things we need

Artists, architects and curators tell us about the spaces they love—and hate

Author and museum founder delivers video message to international museum conference in Milan

Bendor Grosvenor says Britain leaving the European Union could be costly for the arts and art market

The hedge fund manager and art collector J. Tomilson “Tom” Hill III explains why a work’s staying power is more important than its market price

The Nobel Prize-winning neuro-psychiatrist Eric Kandel explains what happens when we look at art

A necessary restriction or a betrayal of everything the museum stands for?

James Cuno, the president of the Getty Trust, says the world must find ways to intervene and protect antiquities when nation-states cannot do so <br>

How Los Angeles dealer Douglas Chrismas leveraged his property to attract artists, reassure clients, and generate income—even while facing financial disaster

But some archaeologists argue for conserving what is already uncovered

The father of psychoanalysis may have fallen from favour in his own field, but today’s artists remain fascinated by his work, 160 years after his birth. Two academics and an artist explain why

Repercussions of the Knoedler Gallery case

As the Tate and National Gallery consider the limits of their collections, Giles Waterfield on the latest in a 200-year wrangle between institutions <br>

In seeking to carve out our own architectural identity, we are in danger of destroying the precious work of previous generations

Anyone with a Facebook profile should consider the images of destruction they share on social media

Despite some similarities between the two, a broader collector base and stronger political will should help China ride out its storm

New buildings grab attention, but they are not always the best way of increasing a museum’s influence and audiences

After 75 years of fumbling, the New York museum can use the Breuer building to play to its strengths and explore art-making across time

Anna Somers Cocks attended the annual March Meeting and found it did not shy away from the pain, extremism and corruption of the world today

Its rich store of treasures deserves better, and that requires unburdening private collectors and welcoming in business

Female artists, collectors, curators and philanthropists are playing a leading role in developing the arts scene in South Asia

A forthcoming White Paper aims to set out the most far-reaching strategy for 50 years