Books

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A room of mystery and ghoulish things: Dora Thornton on the Cobbe Cabinet of Curiosities

A new book offers a scholarly account of the Cobbe family's collection

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Underneath the arches

What happened when Early Modern rulers came to town

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A swan-like artist: David Ekserdjian on the Renaissance master Andrea del Sarto

Draughtsmanship was one of the artist's finest skills

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Survival strategies under the Nazis: Grey Gowrie on artists under Hitler

What happens to the civilised when civilisation breaks down?

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Walter Benjamin: his life in postcards

On the 75th anniversary of the German writer’s death, we delve into his archive and discover his love for travelling—and writing home about it

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Painting the Reformation: the Cranachs celebrated

Six books reveal the multifaceted output of the elder and younger Cranach in Thuringia

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The fatal force of fashion in French public affairs

Elaborate, luxurious and costly styles, such as those worn by Marie-Antoinette, helped to alienate the court from the people

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Hal Foster in praise of dead art

In an excerpt from his new book, the art historian discusses the return of performance and process in contemporary art

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Pouring over the precious: James Yorke on luxury and sentimental objects

A survey of objects acquired between birth and death in early modern Europe that accompanies a Fitzwilliam exhibition

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Frivolity, hedonism, sensuality and sex—OK!

The 19th-century revision of received perceptions of French Rococo art

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When scholarship married the imagination: Peter Howell on Eugène Viollet-le-Duc

The French architect is the subject of two excellent new books

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A problem for every problem: Mike Pepi on Art is a Problem

Joshua Decter’s book of essays raises questions it refuses to answer

It runs in the family: Shelley Rice on Alexander Nemerov’s family portrait

Diane Arbus and her brother, the poet Howard Nemerov, are the subject of a new memoir-cum-history

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A forgotten artist returns: George Morland’s work is at last acknowledged

Morland was an exceptional landscape painter and a great observer of social mores

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How was the Brancacci Chapel originally seen?

Florence’s early Renaissance showpiece revolutionised painting—but how was it seen, and used, at the time?

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Portrait of the jeering artist as a young gent: Alexander Adams on Francis Picabia

The artist’s conventional beginnings belie his artistic proclivity for mockery. By Alexander Adams

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Having fun with England’s prelates: Rosemary Horrox on the 'decorated' style

The mainstream Gothic architectural aesthetic was more fecund than any marginal “alternative”

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Not an easy name: Lelia Packer on the importance of Joachim Wtewael

The artist has been unfairly overlooked, but the major monograph accompanying a forthcoming show affirms his place among the finest Dutch masters

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Make it look like me: the Pygmalion complex across the ages

On the myriad meanings of Medieval speaking sculpture, artists’ models, mannequins and royalty in wax

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How Luca della Robbia melded music and sculpture in his organ loft

Luca’s panels require multi-sensory perception and 3D thought

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James Barry's secret bomb at the Society of Arts

The hidden meaning of his paintings series is revealed

‘You must guard your own henhouse and often from your own foxes’

Book trade calls for self-policing as library thefts are growing problem