Melanie Gerlis
Melanie Gerlis is the art market editor-at-large at The Art Newspaper and author of Art as an Investment
Art fairs feel the heat at Barcelona conference
Leading dealer says only 25% of sales should be outside gallery
Why the ‘Uber effect’ is proving elusive for online platforms
Business is growing but no one has truly disrupted the market—yet
Ancient disc, the look of maternal love and treasures of the sea attract buyers
From ancient ritual objects to contemporary photographs, here is a snapshot of what people have bought at Frieze London and Frieze Masters
Why a growing number of museum veterans are crossing over to the commercial sector
Boundaries are not what they used to be, as the former director of the Andy Warhol Museum heads to Sotheby’s
Science, then and now, reveals marvels of Medieval manuscripts
Fitzwilliam’s anniversary exhibition breaks ground across the centuries
Artist Pension Trust makes first financial distribution
Sales from the 14,000-work collection will continue
Magnus app founder hits back at critics
Move towards "greater and greater" transparency cannot be stopped, he says
Brexit: what it could mean for the arts
Leading figures speak out about concerns for the future after UK votes to leave European Union<br>
The market looks vulnerable as the summer break begins
As a busy, but thinner, season draws to a close in the wake of Brexit, uncertainty is the order of the day
Brexit vote triggers shock and dismay
Fears for London art market amid political and economic uncertainty after UK votes to leave EU
Thaddaeus Ropac defies Brexit and commits to London
Confirmation of the Ely House gallery gives UK market a needed boost
How to keep an artist’s name alive
Galleries at Art Basel bring historic works that are fresh to the market as artists’ estates get proactive
Confidence in market rises against the odds
ArtTactic's latest survey shows art market experts are more confident than they were at the beginning of the year
Private museums that put the public first
From Basel's finest to the Broad, the institutions that set an example
Collectors take a long hard look at themselves at Art Basel
Artists hold up a mirror to everyone who makes the art world go round
Economics and politics made Tate Modern happen
Deregulation in London’s financial markets, and new money looking for a home, helped to make contemporary art a much-prized commodity
Economist Clare McAndrew lured away from Dutch fair Tefaf to crunch numbers for Art Basel
Her annual global market report, now sponsored by the Swiss fair and UBS, will be published to coincide with next year’s Hong Kong edition
Weak market should bring out the best, says Art Basel director
This year’s fair will reflect the art world’s growing appreciation of photography
London’s Fine Art Society turns 140
Specialists put the past behind them for celebratory exhibition