Whitney Museum of American Art
museum
Time to look: Laura Owens’s self-reflective paintings demand considered attention
Visitors should not rush through the Los Angeles artist’s mid-career survey at New York’s Whitney Museum
The man without a face: Jimmie Durham at the Whitney Museum
Questions about identity abound in the travelling retrospective of the American artist’s work
Whitney makes the case for David Hammons’s ‘ghost monument’ on the Hudson River
The museum presented its proposal for the public work at a community board meeting Wednesday night—and early reactions were positive
78th Whitney Biennial expands definition of American art
Their largest edition yet spans the globe looking at what makes American art
New museums: the rise of cryptic cathedrals of the cosmos
Charles Jencks revisits his article written for The Art Newspaper in 2000 to survey how museum architecture has evolved since the millennium
Whitney Museum turns over its column-free fifth floor to artists
The museum’s new programme Open Plan will present large-scale installations by Michael Heizer, Andrea Fraser and others
Frank Stella’s decline: on the artist's Whitney Museum retrospective
Critical conviction regarding Stella's work has fallen with the quality of the art
Whitney’s billionaire chairman of trustees steps down
Leonard Lauder’s decision to leave the institution coincides with launch of $680m fundraising campaign
News from the US: Bush and Blair go under the (sledge) hammer, the Whitney suffers loan woes, and Rakowitz can't get a date
Tate’s US patrons applaud the destruction of cake effigies, while MoMA makes life difficult
A new international role for the Whitney under Adam Weinberg
The museum's new director has assembled his curatorial team and is preparing to steer it on a radical new course
Eva Hesse at Gallery Paule Anglim, San Francisco
Gallery shows of Hesse’s fragile sculptures are rare
Robert Rauschenberg's evolution examined in new show at Fondation Dina Vierny-Musée Maillol
Compare and contrast the last decade of the master's oeuvre
Architecture is taking centre stage in the art world, and the market for architectural drawings is heating up
Few dealers, scarce material, but a growing audience
What are museums doing to collect, store and show internet art?
Ossian Ward investigates European and US perspectives and the issues of conservation and ownership
The body under scrutiny: Interview with Kiki Smith
Kiki Smith responds to recent attacks on her work by Met director Philippe de Montebello
Calder-inspired mobiles are removed from several gallery gift shops in the US
The Calder foundation cites fears concerning authenticity
Castello di Rivoli to host its second exhibition of American art this year
“Sunshine and noir” explores the dramatic contrasts of Los Angeles as seen through the art produced there over the past forty years
New Warhol exhibition opens at the Whitney Museum
The major show chronicles the many faces of Warhol's fascination with fame
Haring recognised at last, climbing from subway to museum
On the one hand, official recognition, on the other, the problem of fakes
Whitney Museum blamed for the demise of a beloved book store
Books versus Basquiats?
The Serpentine asks how good was Jean-Michel Basquiat, really?
The artist's complicated oeuvre makes it hard to judge if some works are forged - or if instead he was just having an off day
The smoking dilemma: will Philip Morris's art support outlive its critics?
The tobacco giant remains one of the most important private funders of the arts in the US
Hiring out the collection: the Whitney does, MoMA doesn’t
Collection leasing provides a fundraising alternative for some museums, and a surrogate permanent collection for others
Whitney compares Basquiat to Leonardo da Vinci in new retrospective
Music Television and Madonna sponsor her late lover
First American Basquiat retrospective to be held at the Whitney
Whitney director, David Ross, gambles on his political correctness
Philip Morris Companies Inc. receives award for their continued sponsorship of art from The Whitney Museum of American Art
The selection of the tobacco corporation as first winner is testament to its long-term relationship with the museum
The vision for The Whitney under new leadership: less isolationist; diverse, rather than deep
David Ross, the new director reveals his ideas
Rauschenberg’s fifteen minutes: an assessment of the artist's impact as he takes over New York
After Warhol and Johns, it’s the turn of the globe-trotting