Painting

Thomas Cole's Old World roots and art-world inspirations examined in transatlantic show

Exhibition on US painter opens at New York's Metropolitan Museum of Art before travelling to London

Time to look: Laura Owens’s self-reflective paintings demand considered attention

Visitors should not rush through the Los Angeles artist’s mid-career survey at New York’s Whitney Museum

Damien Hirst to spotify Houghton Hall

Colour Space will show some brand-new works by Damien Hirst

Van Gogh in Japan: research uncovers a two-way affair

Survey of Dutch master’s admiration for, and influence on, Japanese art is most ambitious yet

Damien Hirst gives exhibition to former spot painter Rachel Howard

Howard and John Copeland to take over Newport Street gallery in February

Brice Mardeninterview

Why the process of painting never ends

The US artist Brice Marden takes a new tack in his latest works, on show at Gagosian in London

Artist William Tillyer given year-long platform by London dealer Bernard Jacobson

Stalwart gallerist to launch five shows and a monograph on the painter, who turns 80 next year

Drip dry: Moca LA to restore Pollock painting in its galleries

The museum aims to open the cleaning process to the public, with a conservator on hand to answer questions

Many strategies for survival: Barbara Rose on painting after Postmodernism

Rumors of the death of painting have been greatly exaggerated

Reviewnews

Full of prim euphemism: Brian Dillon on Dave Hickey’s 25 Women

The book’s finest points are overshadowed by dispiriting foolishness

Reviewnews

Cool doesn’t cut it: Andrew Lambirth on painting today

The presentation of painting all too often undermines the nature of true invention

Booksnews

Fleur pouvoir

French 19th-century flower painting gets a long overdue accolade

How the Cranachs made Luther unmistakable: Joachim Whaley on the Luther Decade

Part two of a series on Luther’s favourite painter and publicist

Luther, Cranach and political propaganda: Joachim Whaley on the Luther Decade

Part three of a series on Luther’s favourite painter and publicist

Drip, drag and drape: Tate explores performance art and paint in motion

Tate Modern shows that painting and performance are not polar opposites, but have a long history of interaction

Interview with George Condo: Finding a theatre for the absurd

Velázquez meets Bugs Bunny in George Condo’s first major retrospective on the South Bank

Interview with Wilhelm Sasnal: Home is where the art is

Wilhelm Sasnal on how his native Poland provides the inspiration for his work on canvas and celluloid

Why the Tate turned down Rothko’s offer of 30 paintings

Archives reveal the events behind director Norman Reid’s decision to accept only nine of the artist’s pictures

David Hockney donates his largest painting to Tate

Bigger Trees near Warter is 12m long and 4.5m high, and made up of 50 separate canvases

Iraqarchive

The Iraq war in watercolour: Interview with Steve Mumford

The artist has visited Iraq five times, and has no qualms about placing himself in the line of fire to document the conflict

Interview with Anselm Kiefer: “Expectations are always unfulfilled”

Anselm Kiefer on leaving his studio of 15 years, the commercialisation of art and why the Holocaust still matters

Interview with Tomma Abts, champion of abstraction

Abts’ small, deeply layered canvases exert a quiet power

Francis Bacon’s paintings of Van Gogh gather in Arles

Fondation Vincent van Gogh assembles the surviving paintings in this series

Booksarchive

Book Review: Jo Crook and Tom Learner, The impact of modern paints

(Tate Publications, London, 2000), 192 pp, 25 b/w ills, 160 col. ills, £16.99 (pb) ISBN 1854372874

Booksarchive

Book review: Kirsh and Levenson's "Seeing through paintings: physical examination in art-historical studies"

A popular, non-technical explanation of the physical composition of paintings is not easy