Frieze
Lesbian, gay, bisexual and transgender artists warn against the appropriation of queer imagery by straight artists
As the "gay aesthetic" goes mainstream who should owns queer culture?
Despite the war of words, UK-Russia shows go ahead
But some exhibitions have been cancelled as political stand-off continues
Flipping art: filthy lucre or a sound business plan?
In 2014 we noted that market speculation can offer rich rewards, but in the long term, it may do collectors more harm than good
Art Basel follows Frieze’s lead with display covering art-historical endeavours
Survey, which will debut at Art Basel Miami Beach, uses Frieze Masters as its template
Works head to Tate fresh from Frieze thanks to the Outset/Frieze Art Fair Fund
Younger and less recognised artists were the order of the day
Greek collector Dimitris Daskalopoulos aids Athens museum acquisitions
National Museum of Contemporary Art spends €50,000 on new works from Frieze
Women artists are doing it for themselves at Frieze Masters
The London fair features a raft of women, including Judy Chicago, who are eschewing assembly-line art
'Sexuality, Politics and Protest': The Frieze talk on activism after AIDS
Considering why artistic responses to the AIDS crisis are relevant today
Warhol-Basquiat goes begging at Phillips
Phillips’s chief executive says Frieze might have distracted potential buyers
Spotlight: an alternative canon of 20th-century art or savvy sales strategy?
Frieze Masters both embraces and challenges the idea of 'masters'
Interview with Tim Rollins and KOS: Don’t call it a comeback
The art collaboration that rose to fame in the 1980s is holding its first public workshop for youngsters at Frieze New York
Calder Foundation to host rare films online
Four videos feature the artist’s stage work, sculptures and constructions
Collecting grows among West’s wealthy
Art fairs expand VIP opening hours to make the experience more attractive
Three of the best for Tate in this year's Outset/Frieze Art Fair Fund acquisitions
Two new artists and an old favourite make the cut
Sonic sparring and sound Clashes: Interview with Anri Sala
Inspired by punk, Anri Sala’s video art stages a musical battle with time
Going back in time: the next big thing is older art
Modern and contemporary art fairs are encouraging crossover collecting with a renewed focus on older art
An interview with Anahita Razmi, winner of the Frieze Art Fair's Emdash Award '11
How a 12-screen video installation on show at Frieze was filmed despite Iran’s strict regime
Interview with Jarvis Cocker: "A show can plant a seed that flowers years later"
The musician and St Martin’s graduate on why access to art is crucial during an economic crisis
All’s fair in art market war: Competition heats up as Art Basel and Frieze expand
Smaller art fairs such as the Armory Show and Art Stage Singapore are feeling the strain
Outset/Frieze Art Fair Fund adds to the Tate’s collection
Works by Lorna Simpson, Július Koller, and Jimmie Durham make up the selections this year
Post-war and contemporary auction report: cautious but confident
Some good prices were made, but top quality works were relatively thin on the ground
Frieze London fair report: Bling is out, but big is back (though the prices are sober)
The fair drew the major collectors, its quota of celebrities and plenty of students. But the feel was calm, not frenzied
Interview with Bryan Ferry: “I can’t imagine life without art around me”
The Roxy Music founder on being taught by Richard Hamilton, his love of British artists and viewing at speed
Interview with Steve Martin: "I’ve never met anyone who collects cynically”
The polymath performer has written a novel set in the art world -should every dealer he’s ever met be afraid?
Interview with Michael Nyman: “There’s no scripts, no rehearsals, no actors…”
The composer explains the thinking behind his latest film, and reminisces about the parties held by a Frieze founder’s dad
The work of art in the age of cut and paste
Can the law keep up with the speed of digital appropriation, reproduction and distribution? And should it even try?
Interview with Sir Peter Blake: “I made a conscious decision to be kind to younger artists”
The pop “godfather” on stuffed animals, the urge to collect and the burden of Sergeant Pepper
Tate looks to young international artists with £120,000 acquisition fund
The works selected reflect Tate's increasingly global outlook and support of young artists
Interview with Robert Storr: Most theory has little bearing on art
The critic and curator spoke to The Art Newspaper about the role of art theory, and what advice he is giving to his students in today’s artistic climate.