Conservation

Dürer’s “Virgin of the Sorrows”: almost too terrible to show in Munich

Three works by the German master went on show last month following an acid attack a decade ago. Two have been restored with a new ion-exchange technique used on paintings for the first time

Conservator on conflict with Russian Orthodox Church: "We saved Church art"

Negotiating the restitution of religious art is important, but it should not be at the expense of the institutions protecting Russia's cultural heritage

Banca Toscana to sponsor restoration of Cimabue’s altarpiece “Maestà”

The structure that replaced the wooden support has caused the 13th century Madonna to rupture