Commercial galleries
Knoedler saga shows no sign of abating after last month's settlement as multiple suits remain unresolved
Several of the New York gallery's representatives have been indicted for engineering the sale of Abstract Expressionist forgeries
“LA is tricky, slippery, invisible”: Interview with dealer Shaun Caley Regen
…but that didn’t stop the contemporary dealer opening Regen Projects’ biggest ever space with a first-class show last month
Anthony Haden-Guest’s New York: Gallerist Eli Klein, Restoin Roitfeld's "Hue and Cry" at Sotheby's, Catherine Johnson's Warhol biography, and Steinway's artist-in-residence
“I think it’s interesting the way Warhol polarises people,” says Catherine Johnson. “Some people love to hate Andy”
Dealers' efforts pay off at Art Basel 2012 as buyers seem unruffled by economic troubles
Art Basel '12 fair report
Fair or foul: more art fairs and bigger brand galleries, but is the model sustainable?
Many galleries acknowledge that supply is a problem, with artists under pressure to produce more work
Collectors continue to expect—and find—the best at the 43rd edition of Art Basel
Dealers upbeat as first waves of visitors to the fair put any economic worries aside
Private museums bloom in Shanghai
Individuals and corporations are sharing their traditional and contemporary art collections with the public
How are start-up commercial galleries faring in the age of the mega-gallery?
The Lower East Side houses New York’s more avant-garde spaces, but can it compete with Gagosian et al?
The future has yet to arrive for online art fairs
VIP Art Fair expands its business model and improves technology, but big-name dealers are unconvinced
India's Devi Art Foundation debuts show exploring political unrest in Iran
More than 50 artists included are part of Anupam Poddar's collection
Are too many museums relying on too few architects?
Famous name or talented newcomer—how art museum architects are chosen today
Vanity, vanity: the problems facing China’s private museums
Spaces bloom and then wither as founders’ commitment quickly fades
Art Basel Miami Beach 2011 makes the art its sole priority
The public programme includes a sculpture park and videos screened on Frank Gehry’s New World Center
Are fairs big enough for both galleries and auction houses?
Some galleries feel the major auction houses are encroaching on their rightful territory
Extramural shows at Art Basel Miami Beach 2011
If collectors are hungry for more, they can drop by commercial shows outside the fair organised by five of its galleries
Dealers have nothing to fear as crisis fails to impede sales at Art Basel 2011
The most expensive pieces may have been slow to sell, but otherwise it was as if the downturn never happened
Design Miami Basel embraces the modern with an increase in early-20th-century stock
The fair's effort to give a detailed insight into recent developments of design distinguishes it from competitors
How the Art Basel brand was built
Tracing the Swiss fair's ascent from discreet elite beginnings in the 1970s to its current prestige as the international art world's hot ticket
This year's Art Basel prepares to surpass last year with adjustments to layout
Art Parcours heads indoors to the city’s historic quarter, while the Messeplatz remains sculpture-free
Gian Enzo Sperone: 'The nature of the art market has changed for ever'
The Italian dealer and co-founder of Sperone Westwater spoke to us in 2011 about botany, the difference between European and US galleries and why the "big gallery" systems won't last
Interview with dealer Richard Nagy on Schiele: “It is about sex, it is tense, anxious and emotional”
His new space in London will open with an exhibition on the Austrian painter
Berlin gallery rejected from Art Basel calls for trade support
Following the Eigen+Art's exclusion from the fair selection, owner Gerd Harry Lybke protests with a request that his artists are not made available at any other stand
Rumoured expansion west for Cheim & Read
While opening remains unconfirmed, it would be among a spate of other galleries branching out
Eykyn Maclean's debut exhibition in New York to boast Giacometti's Grande Tête Mince
The show revolves around the family of Silvio Berthoud, who was Giacometti's nephew
Should fairs feel threatened by gallery weeks?
A complementary relationship is far more likely…
Gagosian empire expands to China
Hong Kong will soon be home to a branch of the super-gallery
Interview with Sprüth and Magers: “We didn’t want to become bigger, we wanted to become smaller”
Dealers Monika Sprüth and Philomene Magers discuss the benefits of teamwork and the Berlin art scene
The rise of 'curators' in commercial spaces blurs the lines of the art world, with galleries offering non-selling and historical shows that mimic a museum
“Here’s this unbelievable stage... why make it just about money?”
Court battle fuels calls for less art market secrecy
Lines are drawn between those who favour openness and others who prefer “handshake” culture
New director and location for New York's Knoedler engenders personnel overhaul
Building, staff and some artists on the way out