Collecting
Early sales at Frieze London
Collectors flocked to Lehmann Maupin's and Jack Shainman's stands
Collector's Eye: Anita Zabludowicz
Art lovers tell us what they’ve bought and why
New Tate fund puts performance centre-stage
Scheme aims to bridge gap between collecting and displaying the medium
Collector’s eye: Wanwan Lei and Lin Han
Art lovers talk about the best and worst works they’ve bought
Collectors take up residencies—alongside artists—at London’s Delfina Foundation
Six participants from Asia, Europe and South America will ponder how and why they buy art
Not just mummies: British Museum to expand collection with work from modern Egypt
Printed materials, textiles, photographs and items of everyday homeware from the 20th and 21st centuries to be shown alongside museum’s renowned holdings of ancient art
Kissin’ and collectin’ cousins
How one branch of a German noble family married into every European royal family and acquired spectacular works of art
Want a piece of a former Met curator's collection? It'll cost less than you think
The collection of Everett Fahy, who led the museum’s European paintings department and later the Frick Collection, headlines Christie's Old Master sale
ARTnews reveals 2016's top 200 collectors
Annual list of leading collectors boasts usual array of property developers, computer software designers and bankers
Mary Fedden and Julian Trevelyan collection to be sold in aid of historic London studios
Sotheby’s auction is expected to raise £600,000 towards restoration of Durham Wharf by architecture collective Assemble
New affordable-art website Collectionair backed by curatorial big-hitters
Former director of Pompidou among names behind online platform, which sells works for under $10,000<br> <br>
Rich list 2016: fortunes drop for several British-based art collectors
Lakshmi Mittal and Roman Abramovich have slipped down the Sunday Times ranking
Sol LeWitt’s art collection reveals friendships and artistic resonances
The Drawing Center displays a selection of the 4,000 works amassed by the ‘natural-born collector’
Wild at art: private art foundation dedicated to adventurer and watercolourist Tony Foster opens in Silicon Valley
The artist’s patron, the renewable energy investor Jane Woodward, has wholly backed the project
MoMA swings into the 1960s with new collection display
The museum will reinstall its fourth floor galleries with international works from the “boundary-crossing” decade
Book on Gertrude Stein’s art collecting family wins Frick prize
Editors and contributors share $25,000 biennial award, this year backed by the Broad Foundation
Collectors can find a new niche at Frieze Masters
David Bailey’s torn portraits, sculpture from Borneo and netsuke put the eclectic into Collections
Is it time for regional museums to woo big collectors?
Summit in Sheffield asks how arts organisations can attract private patronage
Luciano Benetton’s collection presents a united view of the world’s cultures
But Venice exhibition is also full of political unrest and upheaval
Murakami reveals surprise debt to Anselm Kiefer
Superstar artist provides exclusive insight into vast and eclectic collection before his Yokohama show—just don’t call him the Japanese Andy Warhol
Private museums multiply among ARTnews top 200 collectors
Among who's who of leading collectors, many have established foundations
‘Commerce is in. If real estate is booming, art is booming’
Property tycoon Aby Rosen, promoting his new Manhattan skyscraper, talks about art-world fatigue and giving something back to society
Duke Anton Ulrich of Brunswick: one of Europe's greatest collectors
His outstanding collection secured his legacy, says Joachim Whaley
Private museums band together at London's Art15 fair
International collectors plan to share exhibitions and co-commission works of art
Website launching this week aims to make collecting digital art easier
Daata Editions commissions original sound, video and online works of art
Row over Old Masters flares up in Madrid
National heritage office says the Prado should hand over four paintings for new Royal Collections museum
America is easier to see, but the whole picture remains elusive: Alexander Alberro on the Whitney’s opening exhibition
Unknown works appear with more familiar ones but a few key pieces have lost impact they once had in Breuer Building