“In a public space people should feel better after looking at the art”

“The beauty is in the process and the final object is the sum of the path"

Still angry in her 80s

The Danish artist, whose Weather Project transformed Tate Modern, discusses his building for the Serpentine Gallery

Anselm Kiefer on leaving his studio of 15 years, the commercialisation of art and why the Holocaust still matters

Damien Hirst on world domination, Grayson Perry on turning to tapestry and Anselm Kiefer on why Americans are hysterical

The duo discuss the political and humorous aspects of their work before a major show at the Moore Space in Miami

After 25 years, the Irish artist is still going strong, subjecting his paintings to “tough love” and steering away from nostalgia

Matthew Monahan’s work will be shown in upcoming exhibitions at the Saatchi Gallery and the Rubell Collection

This month, the US artist is unveiling an ambitious new project in London based on his re-working of a Wagner opera

The South African photographer talks about his work, techniques and latest book

Tino Sehgal refuses to document his work, rejects written contracts, and only takes cash

The ceramics grande dame thinks big

Abts’ small, deeply layered canvases exert a quiet power

The Yugoslav-born artist will re-enact famous performances from the 1970s this month

On the eve of the Chapmans’ first commercial show in three years, Jake Chapman talks to The Art Newspaper

On the eve of the Chapmans’ first commercial show in three years, Jake Chapman talks to The Art Newspaper

After her achievements in New York, British painter Cecily Brown is having her first solo show in the UK

After 50 years, Morley is still fascinated by the potential of the medium and is not too proud to learn from a “watercolour holiday” on an English barge with amateur artists

The veteran artist promises “truly radical” new work in his show at the Price Tower in Bartlesville, Oklahoma

Richard Wentworth’s mid-career survey at Tate Liverpool is more of a remix than a retrospective

Tracey Emin’s new exhibition concentrates on her work as a filmmaker in which she usually takes the starring role

American artist’s most recent piece is based on three years of research on the internet

Flanagan chooses to depict hares rather than people to steer away from the dominance of the portrait

The Californian post-conceptualist plays the role of artist, curator and collector in his latest piece

Absence is as important as presence in Mark Wallinger’s new works on show

E.V. Day on thongs, Stealth Bombers and why her latest work stretches elasticity to its limit

Four exhibitions devoted to the Pop pioneer open this November, including a retrospective at the Guggenheim