The South African photographer talks about his work, techniques and latest book

Tino Sehgal refuses to document his work, rejects written contracts, and only takes cash

The ceramics grande dame thinks big

Abts’ small, deeply layered canvases exert a quiet power

The Yugoslav-born artist will re-enact famous performances from the 1970s this month

On the eve of the Chapmans’ first commercial show in three years, Jake Chapman talks to The Art Newspaper

On the eve of the Chapmans’ first commercial show in three years, Jake Chapman talks to The Art Newspaper

After her achievements in New York, British painter Cecily Brown is having her first solo show in the UK

After 50 years, Morley is still fascinated by the potential of the medium and is not too proud to learn from a “watercolour holiday” on an English barge with amateur artists

The veteran artist promises “truly radical” new work in his show at the Price Tower in Bartlesville, Oklahoma

Richard Wentworth’s mid-career survey at Tate Liverpool is more of a remix than a retrospective

Tracey Emin’s new exhibition concentrates on her work as a filmmaker in which she usually takes the starring role

American artist’s most recent piece is based on three years of research on the internet

Flanagan chooses to depict hares rather than people to steer away from the dominance of the portrait

The Californian post-conceptualist plays the role of artist, curator and collector in his latest piece

Absence is as important as presence in Mark Wallinger’s new works on show

E.V. Day on thongs, Stealth Bombers and why her latest work stretches elasticity to its limit

Four exhibitions devoted to the Pop pioneer open this November, including a retrospective at the Guggenheim

Long’s latest show is a collaboration with Indian tribal artist Jivya Soma Mashe

Damian Loeb’s work relies on the viewer’s recognition of the visual sources that he quotes liberally

The last summing up, two months before he died, by the greatest Irish painter of the 20th century in an interview with the photographer Francis Giacobetti

John Wood and Paul Harrison’s minimal, deadpan performances make complicated references to the art world of the past—with a dash of slapstick

Ryman has been painting white on white for more than 50 years. He talks about how his paintings work and which shade of white he uses

Indiana has emerged from his Maine retreat to claim his rightful place alongside his more famous contemporaries

As major exhibitions of his work open in London and Barcelona, Hamilton explains his boredom with the London art scene, the lineage of his tables and his undying debt to Marcel Duchamp

The French artist on playing chess with Duchamp and collecting his own work

Last year Michael Landy meticulously catalogued and then destroyed all his material possessions. For his latest show he has photographed and etched the plants that grow spontaneously throughout the city

The foremost figurative painter of his generation, talks about his passionate commitment to the art

Essenhigh talks about her switch from enamel to oil, the difficulties of making pretty pictures and the ominous undertow of her paintings