Artist interview

Synthesiser’s synthetic synthesis: Interview with leading New Media artist Leo Villareal

He talks to The Art Newspaper ahead of his upcoming show at White Columns

Interview with Gilbert & George on originality and art: “Artists are very limited”

The duo dislike art that only the art world can understand and explain their campaign to be different

Interview with Shirin Neshat: Where madness is the greatest freedom

Telling universal stories about love, insanity, and death through film and music

Leon Golub is still getting to the real at the Brooklyn Museum of Art

Charles Saatchi and Eli Broad both collect him, but only 13 US museums have examples of this artistic rebel’s work

Interview with artist Richard Wilson: The topsy-turvy tendency

These works of art take a global perspective and are literally geologically based

Interview with Mat Collishaw: Nappy change for art

Disillusioned and sick of heavy-handed art that tries to shock, the artist has now turned to kitsch and sentimental themes

Interview with artist James Metcalf: Metal mettle

The adventurer, war hero, metalworker, sculptor, and political activist talks about Paris in the 1950s and his work in Mexico

Interview with Julian Opie: Creating logo people

The relationship between the generic and the individual is at the heart of Opie’s digitally produced work

Interview with Pierre Huyghe: Where fact and fiction meet

A bank robbery and its portrayal in the film “Dog Day Afternoon” are the materials used by Huyghe to explore how fantasy shapes memory

Artist interview: Paul Etienne Lincoln

The Englishman in New York on his latest inventions and why he would have made a rubbish YBA

Artist interview: Sue Williams

The US artist on her shift to abstraction and being a happier person

Interview with Karen Kilimnik on her open-ended eclecticism

Appropriation, whimsy, balletomania, and anglophilia all go into Kilimnik’s installations

Interview with Marc Quinn on moving away from his body

The artist talks about truncation in art and life as his show opens at White Cube2

Interview with Yoko Ono: "I always move on"

As the Japan Society presents a retrospective of Yoko Ono’s work, she talks about the avant-garde in the 60s and her latest work

Fresh from its successful stand-off with e-commerce giant, eToys, etoy enter Manhattan

The group of international, web-based, artists is bringing its witty blend of conceptual, digital and performance art to New York

Interview with Jeff Rosenheim and Maria Morris Hambourg on Walker Evans: At the roots of Warhol

The upcoming Met exhibition presents the whole career of the photographer famous for his images of the Depression

The body under scrutiny: Interview with Kiki Smith

Kiki Smith responds to recent attacks on her work by Met director Philippe de Montebello

Asking Jules Olitski “What’s it like to be forgotten?”: the great colourist and the whims of fate

Clement Greenberg said he was “the greatest painter” alive; then in the 70s the world stopped talking about Jules Olitski

From the archive: Frank Stella in 1999 — 'I started, and I think I am going to finish, as a committed abstractionist'

The American artist talked about working to commission, exploring the creative tension between figurative and abstract art, his debt to artists of the past and his views on artists of today

Interview with Ann Hamilton: The Biennale and seeing through the American dream

The American artist, forty-three, represents the US at the Venice Biennale this year

Artist interview with Ruth Duckworth: America's top artist in clay turns 80

She sees herself as a sculptor and rejects any links with Arts and Crafts descendant, Bernard Leach

Interview with Brice Marden, heir presumptive to Pollock

The artist speaks ahead of his upcoming Dallas exhibition on his varied historical influences

Interview with Andres Serrano: Mining the seamy side for all it’s worth

After sacrilege and violent death the artist whom the moral majority (minority?) love to hate, is now into explicit sex

Per Kirkeby: His brick work at Tate and his red shadow

Kirkeby speaks to The Art Newspaper about making space in the Duveen galleries and the influence (or lack thereof) of geology and Jung

Interview with Chuck Close: “Nothing engages me as much as people”

The artist's technique has changed from photo-realist air-brushing to collage, dot-painting, and more recently, to thickly painted grids