Abstract Expressionism
What debt does mid-century American abstract painting owe to Monet?
Exhibition in Paris attempts to draw connections between the Impressionist and Pollock, Rothko and friends—with mixed results
Major survey of Joan Mitchell’s work to open in 2020
The Baltimore Museum of Art and SFMoMA are co-organising the show, which looks at the person and process behind the abstract works
Vital artistic exchanges will be stifled by Trump's travel ban
The amicus brief signed by more than 100 museums should shame the justices of the US Supreme Court
'Overlooked' pioneer of Abstract Expressionism Richard Pousette-Dart gets first UK show
US artist was first of New York group to create large-scale paintings—before Jackson Pollock
Tate celebrates return of restored Rothko
The product of 9 months of restoration leaves no traces of graffiti ink
More victims of Abstract Expressionist fakes scandal revealed
In court documents, Knoedler lists the buyers and prices paid for works brought to the gallery by Glafira Rosales
Who sued whom: A comprehensive timeline of the Knoedler lawsuits
How a forgery scandal brought about the downfall of New York's most prestigious gallery
When art fought the Cold War: A touring exhibition recreates the CIA’s 1946 secret weapon that scandalised conservatives
The ill-fated collection finally comes together
Knoedler saga shows no sign of abating after last month's settlement as multiple suits remain unresolved
Several of the New York gallery's representatives have been indicted for engineering the sale of Abstract Expressionist forgeries
Books: Mark Rothko himself provides an important piece of the Ab Ex jigsaw puzzle
Rothko’s meditation on how to reconcile physical experience with ideas
What's on in New York: Lee Krasner at the Robert Miller Gallery
The artist's late works show her escaping the Abstract Expressionists and creating a world of her own
What's On in '03: Abstract expressionist Richard Pousette-Dart at Knoedler & Company
His mythic heads and forms appear in paintings and drawings (1935-42) on show in New York
Interview with dealer Bernard Jacobson on his change of taste and direction
From Great British to stellar American art
How women and the Sound of Sleat were the inspirations for Jon Schueler's life and work
Abstract Expressionism in the Hebrides
Now seventy-two, Helen Frankenthaler describes the experience and occasional joy of painting abstractions
“Making a message; giving a message”
The use of American art in the Cold War
This book reveals how the CIA’s promoted US artists as a way of stopping the spread of Communism in the years after World War II
Asking Jules Olitski “What’s it like to be forgotten?”: the great colourist and the whims of fate
Clement Greenberg said he was “the greatest painter” alive; then in the 70s the world stopped talking about Jules Olitski
David Smith's 'Wagon II' bound for the Tate
Purchased from artist's family, it is the most important work still in private hands
A room full of MoMA in St Petersburg's Hermitage Museum
This marks the first in a series of planned loans of modern and contemporary American works from MoMA to the Hermitage
Interview with Brice Marden, heir presumptive to Pollock
The artist speaks ahead of his upcoming Dallas exhibition on his varied historical influences
Shedding light on Rothko’s light: Abstract Expressionism at the National Gallery of Art
The biggest show of the artist’s work for over twenty years derails the view that his highly charged colour-field paintings were a reflection of his moods
What's on in NYC: Barbara Kruger’s return and Ana Mendieta’s hirsute visions
Plus two offbeat takes on Abstract Expressionism
What's on in New York: Gramercy International kicks off the month
While women Abstract Expressionists come to Long Island, chilling still-lifes plus true confessions in Soho
Tate's new retrospective: Why did we get de Kooning?
Are we right to be so admiring of the work currently exhibited at the Tate
The Book of Kings returned to Iran by US in exchange for de Kooning painting
The greatest surviving Persian manuscript was swapped for Woman III, once owned by the Shah of Iran
Dealers at Art Basel play it safe in response to art market uncertainty
Return to the classics as galleries keep their eyes on selling
Abstract Expressionism at the Tate
“Myth making: Abstract Expressionist painting from the United States”
Salvaging 1950s Rauschenberg: The artist's early work goes on show in San Fransisco
This exhibition recovers missing works and provides clues for his development
Gerhard Richter survey at the Tate Gallery
Nick Serota launches into a new policy towards international contemporary art
Unfamiliar early Rauschenbergs at the Corcoran
A broad range of rarely exhibited works tour the US