The Art Newspaper
Interview with Christophe Van de Weghe
“At Gagosian, it was understood, ‘Sit there and make money’”
Interview with Jonathan Meese: "I am the samurai of art”
The German artist explains why he puts aggression and provocation centre stage—along with his mum
MoMA director Glenn Lowry casts his expert eye over Miami
As Art Basel looms large, Lowry weighs in on the best the region has to offer, citing the Bass Museum's "Creative Caribbean Network"
US museums receive surfeit of patronage for Islamic art collections
But Arab donors are in scarce supply, while Turks, Iranians and others spend freely
Museum Schloss Moyland banned from displaying images of Beuys performance
German court rules museum breached artist’s copyright by displaying photographs of 1964 happening
Marina Abramovic exhibition opens at the Lisson Gallery
She enthused over the photo posing techniques perfected by Marilyn Monroe
Dara Birnbaum comments on fostering the museum-sponsor relationship
Can a balance be found whereby both parties stand to gain from a partnership?
MoMA announces Lygia Clark exhibition
The show will be the first North American retrospective of the artist
New acquisitions by Tate Modern show commitment to diversifying collection
Art from across the globe has recently found a home in Bankside
Singer Paloma Faith takes to the stage at Art Basel opening night
The art fair kicked off at Acqua with Faith's performance alongside friend and collaborator Josh Weller
Art Basel's installation sector, Art Parcours, opens in city's medieval heart
Visitors' first impressions may have been hindered by the rainy conditions
Serota on a sustainable future for museums: why Tate needs to change in a changing world
Moving on from traditional didacticism and adapting to a new level of modern communication
Adrian Ellis on Tate's expansion: the definition of success
After a decade of acclaim, will its triumph be topped by Tate Modern 2?
Mark Stephens on art censorship at the Tate: obscenity, indecency, and freedom of speech
Richard Prince's Spiritual America has been the subject of police interference, and the question of unclothed children in art is once again at the forefront
Why has the Tate still not claimed for its stolen Freud?
Although it was covered by British government indemnity, the painting’s value remains unclaimed since its 1988 theft
How to beat the recession: cut costs, slash prices, don’t lie and be creative
During the Great Recession in 2009 we reported that gallerists must act "quickly and brutally" in order to survive
Dealers breathe easier as profits from Basel remain consistent
Buyers eschew risk-taking to pursue the commercial, while Design Miami/Basel benefits from a new location
V&A sets sights on rare hunting horn
£3.3m required for export-delayed object
Works by “more diverse” artists for White House walls
Discreet approaches have been made to dealers who represent black, Hispanic, Asian and women artists
News from London: New creations by Gormley and the Chapmans cause a stir while the Tate avoids selling out
Meanwhile, Gavin Turk works the market and Tim Marlow directs
Interview with Jeff Koons on the eve of his summer show at the Serpentine: Pop culture meets art history
Koons talks to us about the artists who inspire him, his studio system, and what he hopes to communicate to the public through his work
Copyright dispute over Joseph Beuys show in Germany
The Moyland Castle Museum closed the exhibition but plans to appeal
Thomas Kabdebo's "Tracking Giorgione" reviewed
The author is hindered by his own technique
MoMA brings super-collector Dakis Joannou into the fold
Greek industrialist joins painting and sculpture committee
Books: How America took on the propaganda war in occupied Germany
A study of US arts policy and the ideology of denazification in post-war Germany
Basel attendees need not wave goodbye to beach holidays with new Messe car park development
Organisers have transferred the atmosphere of Miami to Basel with the addition of a pool alongside the bar
Watercolours by Cholla the painting horse featured at the Venice Biennale
An equivalent was not to be found at Art Basel, which upheld tradition in its biped-only selection
Bullets over Basel: Loud noise resembling gunfire alarms dealers
Criminal activity was ruled out when the sound was found to be the result of something being accidentally knocked over