Martin Bailey

Could this Van Gogh have come from Nazi Germany?

As Birmingham’s peasant woman painting goes on loan to Charleston, we explore the question of its provenance

Van Gogh’s hospital painting comes to London, returning for the first time in a hundred years

The picture shows the ward where the artist slept after mutilating his ear—I witnessed the room’s tragic demolition

What we learned from the show of Monet’s London paintings at the Courtauld

Specialists and curators on what gathering Thames paintings from around the world revealed

Was a new Van Gogh really discovered at a garage sale? Here’s why I remain unconvinced

The New York-based LMI Group claims the $50 portrait is a previously unknown work by the Dutch master, perhaps now worth $15m, but the Van Gogh Museum rejects it

How many Van Goghs have been stolen—and where are they now?

A new Dutch book provides the first comprehensive account of how the artist’s work has been targeted by thieves

Investigation shines fresh light on British Museum’s looted, Dürer-inspired diptych

The piece, one side of which is an enamel copy of a 16th-century woodcut, the other side crafted in Ethiopia, reveals how European icons became incorporated into the African country’s traditions

What links Van Gogh, Trump, a golden toilet and Cattelan's $6.2m banana?

This unlikely grouping is part of an astonishing story involving New York’s Guggenheim Museum

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The Year in Review: escalating art attacks and responses to war

This year has been marked by a rising number of politically-motivated attacks on art. But we should not forget the power of art to unite diverse groups of people

Snug as a bug: conservation work reveals beetle in Gauguin cat painting

The painting, which has just gone on display at Amsterdam’s Van Gogh Museum, was previously hidden away in a private collection for over a century

A Van Gogh painting, newly authenticated in an unexpected Polish museum, has gone on display in a church dome

Bought by a British collector, the Dutch landscape was donated to an institution dedicated to Pope John Paul II

Vienna Art Week celebrates 20th anniversary with Rembrandt—and lots of gold

Event, which was the first of its kind in the world and now involves more than 20 institutions, is run by museums rather than dealers

British Museum still taking money from tobacco firm

Japanese acquisitions have been funded by maker of Benson & Hedges, Winston, Camel and Silk Cut

Van Gogh’s finest ‘London drawing’ was not done in the UK, but later in Amsterdam

The sketch of Austin Friars Church throws fresh light on Vincent’s draftsmanship, suggesting he was even more of a late developer as an artist

Leonardo Cartoon was ‘presentation drawing’ in Florence commission bid

Leonardo’s largest known drawing was hung with the Mona Lisa in his studio, says Per Rumberg, the curator of the Royal Academy’s Florentine Old Masters exhibition opening this month

Van Gogh Museum exposes three early fakes

A vase of summer sunflowers in a late autumn scene proved a giveaway

'The Lovers': the key painting that the National Gallery couldn't track down for its Van Gogh exhibition

Seized by Hitler's deputy, Hermann Göring, the picture disappeared in mysterious circumstances during the Second World War—but could it survive?

Churchill’s Monet—restored after many years of cigar smoke—goes on show in Courtauld blockbuster

Traces of the statesman’s smoke have been removed from the painting of Charing Cross Bridge, which took Monet 24 years to finish

The Big Review: Van Gogh: Poets and Lovers at the National Gallery, London ★★★★★

A magnificent show with important and rarely seen loans that highlight the Dutch artist’s astonishing achievements in Provence

Nazi-era claims for two Van Goghs in Switzerland?

Acquired by the arms dealer Emil Bührle, both have been on loan to a Zurich museum

Bucolic Van Gogh riverscape with royal connections set to become the artist’s most expensive Paris work

“Moored Boats”, the “gem in the crown of the Bourbon collection”, will be auctioned in Hong Kong

‘At Tate Modern, I want us to take real risks’: director outlines her plans to borrow rather than buy some works of Indigenous art

Karin Hindsbo, director of the London gallery for the past year, wants it to be a ground-breaking institution. She discusses plans to raise annual visitor numbers to six million and for a free festival to mark next year’s 25th birthday

Van Gogh’s fruitful final two years are the focus of show at the National Gallery in London

The artist’s idiosyncratic terms for two sitters—lover and poet—inspired the theme of the 60-work exhibition

Sainsbury Wing contractors find 1990 letter from donor anticipating their demolition of false columns

Work on foyer reveals John Sainsbury’s note buried in extension to London’s National Gallery