Martin Bailey
The National Gallery's new exhibition includes Van Gogh's brief foray into Neo-Impressionism
Vincent’s painting, ‘The Sower’, has even been “blessed” by the new Pope, Leo XIV
London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art
An unprecedented £375m has already been raised for the extension, which will have space for hundreds of paintings—while Tate is collaborating with the gallery on a revised acquisition strategy
Most expensive, suicide not murder and more: celebrating 300 Adventures with Van Gogh
Discover the top 10 posts of the last two years—all updated with new information on the extraordinary painter
Van Gogh’s two pictures of the hospital in Arles—painted while he was recovering after cutting his ear—head to the Courtauld
Both pictures were acquired by the same private collector, they have not left Switzerland for a century
Ten surprises at the National Gallery’s five-star Van Gogh exhibition
We look back at the blockbuster, with intriguing and little-known stories behind many of the loans
Vermeer’s vandal: the untold story of a vicious attack at London's National Gallery in 1968
Photographs show the near-catastrophic damage caused when a vandal attempted to cut the head from ‘Young Woman Seated at a Virginal’ by the Dutch master
Framing Van Gogh: why the artist did not want to surround his works with gold
The National Gallery’s blockbuster exhibition, ‘Van Gogh: Poets & Lovers’, provided an unusual opportunity to see how the artist’s works have been framed by their owners
Van Gogh Museum claims it could be ‘forced to close’ amid funding feud with Dutch state
The museum has raised concerns about the safety of its collection, visitors and staff
Van Gogh’s Starry Night over the Rhône reveals more of its mysteries
Visitors can go to the spot where he stood his easel, enjoy the view of the Rhône—and see how the artist transformed the scene into one of his best-loved paintings
How did the only painting sold by Van Gogh in his lifetime end up in Russia?
Revelations about The Red Vineyard, now conserved at Moscow’s Pushkin Museum
Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s
The artist's granddaughter was furious with his treatment of her grandmother Olga, but his death gave her the wealth to buy work by other masters
Van Gogh’s love of Hiroshige, the Japanese master of the landscape, is reflected in a British Museum exhibition
An unusual chance to see Vincent’s own copy of a print which inspired one of his most intriguing paintings
Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’
A pair of pictures with this bizarre geological feature both ended up in New York
Sharp drop in value of works saved for the UK this past year, official report reveals
A painting by Antoine Watteau valued at £6m was among those granted an export licence after no museum buyer was found, however items including the Second World War notebooks of Alan Turing were saved
UK Heritage Department feared ‘mass restitutions’ when Stone of Scone was returned to Scotland
Civil servants felt frustrated after Prime Minister John Major returned the 13th-century artefact 30 years ago, newly released papers reveal
The Royal Academy’s Kiefer-Van Gogh show offers a soaring spectacle
Nearby, the White Cube gallery is also displaying homage works by the German artist, more than 60 years after he hitchhiked in Vincent’s footsteps
Revealed: how Van Gogh's nephew exchanged two of the artist's drawings for butter and bacon
The pair of works are now worth £1m, with one soon coming up for sale at Sotheby’s
Van Gogh's suicide: Ten reasons why the murder story is a myth
Overwhelming evidence suggests it was the artist who fired the fatal shot
With the help of conservators, one of Van Gogh’s finest Arles landscapes will be heading to Japan
A rare 1929 photograph captures the scene: Vincent’s much-loved Langlois Bridge, shortly before it was destroyed
Two US ambassadors have displayed Van Goghs in their London residence—but Donald Trump's pick for the job seems unlikely to follow suit
Winfield House, home to American representatives to the UK, is hidden away in Regent’s Park—and has hosted a series of Vincent’s masterpieces
An exhibition in a most extraordinary building explores Japan’s love for Van Gogh
The Pola Museum sheds fresh light on the veneration of Japanese artists for Vincent’s paintings
Works by Charley Toorop, one of the first female painters to admire Van Gogh, go on show in the Netherlands
Her artistic pilgrimage in Vincent’s footsteps is explored at the Kröller-Müller Museum, including a poignant double portrait
Huge Paris exhibition reveals David Hockney’s love of Van Gogh
Hockney, now 87, says he is always happy when he paints—“just like Van Gogh”
Gauguin's last self-portrait could be a fake
Kunstmuseum Basel is analysing the work, which has been in its collection since 1945 and may have been painted by the artist's friend, Ky-Dong Nguyen Van Cam
Korea’s first privately owned Van Gogh unveiled at newly opened museum
The painting of a Nuenen woman, on loan from Hong Gyu Shin, is the first Van Gogh ever exhibited on loan from a Korean collector
Water leaks into the Louvre’s Cimabue exhibition, landing close to the master’s greatest early painting
A violent hailstorm on Saturday caused water to drip into the room hosting the important show, but “no works were damaged”, a spokesperson says
First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery
The reopening of the Sainsbury Wing on 10 May will allow the gallery to show nearly 40% of its collection. The Art Newspaper took an early tour
London's National Gallery buys mysterious altarpiece for $20m
The museum has acquired a 16th-century work by an unknown artist from a family collection
When—and why—did Van Gogh paint a pair of crabs?
Vincent’s audacious still-life was the first painting bought by a British collector, only three years after his death
How the Imperial War Museum became the reluctant owner of an official Nazi portrait of Adolf Hitler
The painting by the Nazi artist Heinrich Knirr was originally installed in the German embassy in London in 1937