The story of Rick Barton, such as we know it, can only be told thanks to a curator’s detective work and some chance connections

There are more women than ever in the main show in Venice—and it's both exhilarating and emotional

Our art critic with all the best invites describes the "visual feast" that she has been gorging since her arrival in Veneto

The artist, famous for lighting up bridges across the Thames, tells me how he created his first NFT drop—which sold out within an hour

Arts foundation in upstate New York is showing three of its newest acquisitions: large-scale multimedia works that span 30 years of the artist's career

Hurtado, who was 99 at the time of the film, spoke to Dean about loss, her 13 cats and a stolen Picasso drawing

New sculptures in the city by Maya Lin and Sam Durant are not just pretty

A three-part solo show of work by the artist Lucy Raven marks the foundation's reopening in Chelsea, New York, after a two-year renovation

While the stark presentation of the masterworks creates a revelatory clarity, the exhibition also has a domesticating effect on the Modernist architecture

This urgent and timely show of the Spanish master's works on paper illuminates the artist’s dim view of humanity and his extraordinary imagination

This survey of the 77-year-old artist's work lulls the viewer with colourful abstraction before tackling its real subject: racial violence

It’s Frieze Week in London, yet there’s no big art fair at its heart. Can galleries create the usual excitement—and is anyone still buying?

Anxiety gives way to enlightenment as museums spring back to life

We speak to two of the museum's curators leading the expansion and our New York team sit down to discuss the highs and lows of the new space. Produced in association with Bonhams, auctioneers since 1793.

Scenes morph, body language pops, and colours gyrate in art by Lubaina Himid, Mika Rottenberg and Marta Minujín

Despite a history of protest and a very present controversy at the museum, this year’s survey of American contemporary art is missing a radical spirit

The visual art presentations strike a respectful note rather than spark the irreverence the arts centre needs most

We talk to Giulia Bartram at the British Museum about her exhibition of Munch’s prints. And we look at the new shapeshifting cultural centre in New York, The Shed. Produced in association with Bonhams, auctioneers since 1793.