Once seen as a bastion of tradition ignored by young artists, the institution's postgraduate fine art course has become the most desirable in London

We drill down into the big numbers from the Post-Impressionist and Modern sale in New York with Georgina Adam, talk to Professor Rachel Pownall about the wider market and look at a small gallery housed in Piccadilly Circus Tube station.

Our guest host Arsalan Mohammad takes us behind the scenes of the explosion of shows during Gallery Weekend Berlin and beyond, speaking to dealers and artists about the changing face and enduring appeal of one of the world's most creative cities

We talk to the US artist about her acclaimed work An Occupation of Loss staged in New York and now London. We hear from a curator and conservator at the Met about resurrecting Moretto da Brescia’s final great painting, and appraise the Turner Prize shortlist.

The amicus brief signed by more than 100 museums should shame the justices of the US Supreme Court

Art critic Ben Luke gives us his take on this year's nominees

From the high emotions of Taryn Simon’s professional mourners to photography galore at Somerset House and the Hayward Gallery

Martin Bailey speaks to Hailemichael Aberra Afework, Ethiopia’s ambassador to the UK, about the artefacts seized by the British army at Maqdala, go behind the scenes of the Sony World Photography Awards with judge Gareth Harris and ask Richard Parry about his plans for Glasgow International

We hear from Adam Lowe of Factum Arte about a new TV series in which seven lost paintings are recreated. And speak to Norman Rosenthal and Thaddaeus Ropac about the great German artist.

We speak to the Bulgarian-born artist about his grand project for the Serpentine, and look at our annual survey of visitor figures

Museum’s restoration lifts “grey veil” from final commission by the Renaissance artist Moretto da Brescia

From Michael Rakowitz’s winged bull soaring above Trafalgar Square to the last chance to have a swing at Tate Modern

The artist reveals the story behind the headlines and the film she made about the painting's removal

Leonardo specialist Martin Kemp on decades spent in the company of the Renaissance master, plus, we celebrate the 300th edition of The Art Newspaper

Iraqi-American artist has recreated Assyrian lamassu destroyed by Islamic State

We speak to Thomas Laird about his new book on the murals of Tibet and to Michael Rakowitz about his fourth plinth commission unveiled next week

Salvatore Settis on the moral revival that could save Italy's sinking city, plus Tacita Dean on her three major London shows

The release of a pre-conservation image of Leonardo’s $450m Salvator Mundi reignites debate over the transparency of conservators’ interventions

From Picasso's year of masterpieces at Tate Modern to his fellow Spaniard Murillo's portraits at the National Gallery

We take a tour of Tate Modern's blockbuster and explore the strength of Picasso's market

We meet the men and women behind three fascinating but very different exhibitions of lens-based art

Tate Modern’s major new show focuses on 1932, a period of turbulent creativity that gave rise to some of the artist’s greatest work

The petition to make the proposed border wall a National Landmark is one of the worst excesses of contemporary art and needs to be called out

Documentary breaks with many of the assumptions in the art historian’s seminal series, but it also owes a great deal to it

We talk to the American dynasty’s historian about David and Peggy Rockefeller’s tastes, and explore the funding crisis at Glasgow’s Transmission Gallery

A look at the life and art of the two Austrian greats as shows open marking their 100th anniversary. And the New Museum Triennial is reviewed.

We explore what new ivory regulations will mean for the art world and meet the 2017 Election Artist Cornelia Parker

Expert on Russian art Simon Hewitt discusses developments in The Art Newspaper's current cover story, plus we explore an unusual collaboration at Hauser & Wirth Somerset

The Algerian-British artist explores her family’s experiences living in the shadow of colonialism

Why the pop artist—a lifelong, closeted Catholic—deserves to be shown at The Vatican