The Los Angeles-based artist is presenting his "REMEMBR" installation, which riffs visually, musically and emotionally on users’ smartphone camera rolls, in London

The maverick artist is working with 1OF1, collectors of high-level digital art, to offer owners of his "CHAOS" video sculpture series the chance to have them "fused" into new animations

An in-depth interview with the artist on her cultural experiences and greatest influences, from Cézanne to the theatre of Tadeusz Kantor

Why the art world must tackle the questions posed by artificial intelligence head on, plus comics celebrated in two European locations and Degas’ portrait of the circus artist Anna Albertine Olga Brown

The presence of AI in every aspect of life has been a fact for the past 20 months. With the publication of the Stanford AI Index, two areas have come into focus. For museums, how to work with industry giants, without having their offering "distanced" by the summarising power of AI. For artists, how to thrive where sources of production are being monetised in Silicon Valley

The artist Refik Anadol, the museum director Thomas Campbell and the Future Art Ecosystems team at Serpentine share insights on how to thrive while working with artificial intelligence in 2024

The light-filled, interactive, spaces at teamLab Borderless offer “full-body joy” to the author's school-age children—as well as some cool selfies

His landmark "Black Paintings" series marked Stella as a Minimalist in the 1960s before he expanded his range to include brightly coloured pieces on shaped canvases, relief paintings, large-scale sculpture and work with architects

Josèfa Ntjam‘s exhibition depicts a fantasy world inhabited by AI-created creatures that recalls both the deep ocean and outer space

Artamonovskaja, a leading consultant and moderator in the Web3 world, will oversee development of opportunities for artists across the Tezos ecosystem

The media artist's "Echoes of the Earth: Living Archive" at Serpentine Galleries, London, goes for radical clarity on its raw data sources and the make-up of Anadol's artificial intelligence Large Nature Model

The platform is making use of its reputation as a visual search engine to collaborate with art institutions

Two books take a look at the past and future of the non-fungible token. Once seen as the creature of market hype, the NFT now promises the first shared technical standard for the digital art world

Auction house sees maturing of market since the heady days of 2021 as works by the digital art pioneer are sold in combination with launch of their catalogue raisonné-like historical survey "On NFTs"

Sophisticated technology is helping institutions count people but it also has the capability of tracking demographic data, ensuring people are well behaved and even detecting if visitors are enjoying themselves

The London gallery's fourth annual Future Arts Ecosystems report addresses a pressing need for bodies to address the use of artificial intelligence, for their own benefit and for the public good

Virtual reality has not taken the art world by storm in the past decade, despite the attention given to the format during the global pandemic of 2020-21, but the advent of powerful new mixed-reality headsets, led by the Apple Vision Pro and Meta Quest, promise a new experience for creators and users

In March 2014, Facebook bought Oculus VR, heralding a new era in extended reality. Will the arrival of the Apple Vision Pro move the medium from artistic experiment to widespread use?

The Whitney Museum of American Art is spotlighting the late art and technology innovator's prescient "AARON" series

Senior social media manager Nell Burnham reports that the @tate account, which serves both Tate Modern and Tate Britain, doubled its video views to 65 million in 2023

The mixed reality headset offers astonishing visual quality. But, as it goes on sale at $3,500 a go, how will it enhance curators' dreams of giving global access to high-fidelity experiences of gallery and museum shows?

Digital art venues are a global phenomenon, attracting massive audiences with radical new forms of immersive experiences. Are they a threat or an opportunity for traditional galleries and museums?

The rise of huge immersive venues, with giant, wraparound programmable LED screens, has provided a new canvas, and potential new audience, for digital artists. We look at four of the main players, from widely varied backgrounds

San Francisco’s Gray Area Festival and the Bay Area Now 9 Exhibition at Yerba Buena Center for the Arts show how art can be used to form—and strengthen— communities

Works at the New Contemporaries exhibition at Camden Art Centre will be available to purchase on Gertrude

Think TikTok is just silly videos for kids? Think again—the platform now has seriously useful features and content

The coming year has buttons for everyone to press including a celebration of the computer artist Harold Cohen and Art Dubai Digital

U2’s video programme melds contemporary art, animation and special effects into pure 'spectacle'