Sarp Kerem Yavuz
Can artists protect their work by suing AI companies?
When it comes to copyright infringement, establishing culpability and illegality in the age of artificial intelligence is murky
Despite the real (and artificial) fears of many, AI is not the enemy of the art world
Concerns about access, expertise and data sourcing have overshadowed the enormous power and potential that AI image generators offer
In Guggenheim exhibition, Jenny Holzer grapples with the post-internet world she helped inspire
A lacklustre show begs the question: can Holzer survive the scrutiny that her institutional exaltation invites in 2024?
Marlborough Gallery ends historic run with gloriously unhinged Martin Eder show
For anyone who ever wondered what Dolores Umbridge’s 2004 MySpace page might have looked like, Eder has the answer
Harold Cohen's pioneering AI works provide essential context for conversations about generative art
The Whitney Museum of American Art is spotlighting the late art and technology innovator's prescient "AARON" series
What the latest US court ruling means for AI-generated art’s copyright status
A judge said the absence of a “guiding human hand” disqualified the AI-generated image from copyright protection, but other generative art may still qualify