Gustav Klimt

artist

Ongoing Nazi loot restitution claims

A look at some of the artworks subject to ongoing international restitution claims

Two new catalogues and an exhibition on Klimt

An overview of what's on the world of Klimt

Austriaarchive

Leonard Lauder’s Klimt landscape belongs to me, says heir of Nazi victim

Georges Jorisch is represented by Randol Schoenberg, the lawyer who last year won his eight-year case against Austria for the return of five Klimts to California resident Maria Altman

July 2006archive

How long can this amazing art market boom last?

In recent years have seen works sold for explosive prices—and now in 2006 we are asking if this an indication of an accelerating trend or a reflection of the cyclical nature of the market?

Struggles continue over Klimt Nazi-loot lawsuit

Maria Altmann had urged an earlier trial date while in dispute with Austrian government

July 2004archive

Austria can be sued in the US over Nazi-loot case, Supreme Court says

The Justices rule six to three in favour of Maria Altmann. She can now pursue her case in American courts

April 2004archive

Oral arguments begin in Supreme Court Klimt case

The Bush administration argues that Austria cannot be sued in a US court because it would interfere with foreign relations

April 2004archive

Some progress has been made in restitution of Klimt paintings, but much more needs to be done

Although successful restitutions have been achieved through focused research in individual museums, numerous cases in federal and provincial museums still need to be solved

Maria Altmann's Holocaust restitution case against Austria will be heard by the US Supreme Court

An American citizen is claiming six Klimts from the Nationalgalerie in Vienna alleged to have been seized from her uncle by the Nazis and then unlawfully retained by Austria after the war

Counsels of very grudging justice: Austrian government divided on restitution claims

The Austrian Parliament decided that full restitution should be made to victims of the Nazis and to those who had been coerced into giving works after 1945 to the museums - but the advisory council has twice taken its own, negative, line