Comment
April 2005archive
Comment: droit de suite in the EU is bad for all art markets—and the artists it is meant to help
The British Art Market Federation chairman on Artists' Resale Right representing a serious challenge to market competitiveness in 2005
Commentarchive
New York’s famous Museum of Modern Art turns the story of art upside down with its expanded $858 million new building complex
At the hands of Japanese architect Yoshio Taniguchi, the MoMA has become twice its former size
Commentarchive
A blow to Britart as Saatchi's collection is caught in Momart warehouse blaze
Shame on the Schadenfreudians
Amedeo Modiglianiarchive
Letter: Modigliani needs art historical approach
Dr Kenneth Wayne says scholarship is the way forward
Philosophyarchive
Danto explains why there are no constraints on what a work of art looks like today but why the critic has also become essential to its making
A commentary on the end of art
Exhibitionsarchive
Should the new Holocaust gallery be a permanent feature of this museum?
The Imperial War Museum's exhibition is intended as a reminder of past evil
Victoria & Albert Museumarchive
Opinion: Martin Borg should stop wasting time and money on his plan for a £70 million Libeskind extension
No go for the V&A Libeskind
Victoria & Albert Museumarchive
Six years ago, Elizabeth Esteve-Coll sacked four keepers of curatorial departments and other staff. One of those keepers assesses her achievements
Has the V&A lost its head?
Restorationarchive
Let them take their art with them into the afterlife: Achille Bonito Oliva proposes a dignified exit for contemporary works of art
What is the point of restoring modern art? Is it reasonable to treat a Rauschenberg as if it were a Leonardo?
Jasper Johnsarchive
Sunday Times art critic on Rauschenberg and Jasper Johns: making religious images for a secular age
'Rauschenberg and Jasper Johns / Bless the bed we lie on'