Art market
Organisers cancel Volta Miami over venue uncertainties and Covid travel restrictions
Director says the fair is now looking at a number of cities for its third base as question marks hang over Miami
Same city, new venue: Fiac returns to Paris, but eco-conscious galleries say they plan to cut back on art fairs
Sales at the French fair were generally healthy, but David Zwirner felt it lacked "the vibrancy of Frieze"
Art Cologne passes pandemic subsidy on to exhibitors, offering 34% discount
Both foreign and domestic art galleries benefit from the discount
Is Paris worth it? Back-to-back Frieze and Fiac fairs have dealers questioning whether they can do both
As Fiac opens its doors this week, gallerists reflect on the importance of participating in the French fair
Northern Ireland's art market mired in post-Brexit confusion
Experts fear country could become "gateway to Europe for illicit cultural property", while new asset seizure powers—which include art—are being introduced to help criminal investigations into unexplained wealth
Young, emerging artists continue to dominate Frieze week auctions as Phillips sets seven records
Asian bidders set the pace again as several works sell for ten times their lower estimate at the auction house's 20th century and contemporary art evening sale. But are these prices sustainable?
Too much too young? The double-edged sword of early success for artists
As British painters in their 20s and 30s are commanding huge sums for their work, how does the market frenzy affect their career in the longer term?
Young female painters and bored apes turn heads at Christie's £64.6m auction
The first NFT to be sold at auction in Europe sells for £800,000, while collectors compete for emerging women artists, leaving more established names on the shelf
Former Sotheby’s heavyweights form Art Intelligence Global, an art advisory with lofty aims
Led by Yuki Terase and Amy Cappellazzo, the company aims to have firm footing in both Western and Asian markets.
Where does art fit in a post-liberal world?
Western liberal democracies have long called the shots when deciding what is “good” art. But that could be about to change
Banksy record leads a smash-hit Sotheby’s auction which sees young artists soar to extraordinary heights
Asian collectors were behind much of the high bidding for hot emerging artists including Jadé Fadojutimi, Ewa Juszkiewicz and Flora Yukhnovich
Frieze names Patrick Lee director of new Seoul fair
Currently the executive director of Hyundai gallery, Lee says there is a “long history of collecting culture” in the South Korean capital
Korean wave: could Seoul become the art capital of Asia?
With Frieze preparing a new Seoul fair, and a growing roster of galleries, the city could steal Hong Kong’s crown
Strong sales at 1-54 fair—with more African dealers than ever
Twenty galleries from Africa are among 47 exhibitors at the fair in London this week, with some taking advantage of the UK's newly relaxed pandemic travel rules
Banksy world record as shredded work sells to Asian collector for £18.6m at Sotheby's
A previous painting called Girl with Balloon was shredded live at a Sotheby's auction three years ago, the resulting work, Love is in the Bin, has now sold
Stunning $30m Van Gogh watercolour resurfaces at Christie’s New York following complex behind-the-scenes deal
The auction house—which estimates the painting at $30m—helped broker a deal between the seller and the descendants of two Jewish families who had it in the Nazi era
Was Banksy’s infamous shredded painting really created in 2006?
As work heads back to auction at Sotheby's, the provenance of the street artist’s Girl with Balloon is being questioned
Buy one, gift one free: why collectors acquire two works and give one away
Buying a work and donating another to a museum sounds like a win-win—but who really benefits?
Brexit blues: Frieze dealers despair as customs and transport issues delay art shipments
Some European gallerists say they may not participate in future London fairs because of how "extremely complicated" it has become
Collectors Eye: Christen Sveaas
The Norwegian collector tells us what he has bought and why
A £1.65m book collection on the history of climate change goes on sale at Frieze Masters
The 850 items, spanning six centuries, is being offered by the booksellers Peter Harrington
Our pick of five lots from Sotheby’s Hong Kong sales — and what they tell us about the Asian art market
Millennial buyers boosted sales for Western artists, whose works accounted for $114m out of $185m
It all started with a Roman bowl bought for 75p: antiquities dealership Charles Ede celebrates 50 years in business
The London gallery, now run by Martin Clist and Charis Tyndall, is marking five decades with an exhibition of Greek black glaze pottery opening this week
Artist curator claims Art Toronto owes them back wages after unfair dismissal
When the fair went online-only during the pandemic last year, a planned section dedicated to queer and non-binary artists was cancelled
A return of the knockers? How criminals gain the trust of the elderly and vulnerable in order to steal their art and antiques
The conviction of the father-and-son duo, Des and Gary Pickersgill, for the thefts of around £1.7m from an elderly widow's home, brings renewed focus on the threat of antique “knockers”
'Not just another Zoom project': New 'non-hierarchical' International Galleries Alliance launches to bring art world together
The information sharing community hopes to launch with 300 members and has been founded by a group of galleries including Sadie Coles, Blum & Poe, Stevenson and Carlos/Ishikawa
International galleries including Lehmann Maupin and Esther Schipper flock to new Beijing free trade hub
14 galleries are taking part in the three month pop up
Come inside: Frieze London moves beyond the park with new permanent space
No.9 Cork Street, which will provide opportunities for pop-up exhibitions, opens as the celebrated Mayfair gallery hub gains a new lease of life
Another Botticelli hits the market: Sotheby's to sell Botticelli's The Man of Sorrows for in excess of $40m
Auction house will sell the painting in January and is dubbing it "The defining masterpiece of Botticelli's late career". But what exactly does that mean?





























