Art dealers
Trend for newest art possible takes hold as dealers benefit from coordination with Biennale: Art Basel 2005
Art Basel '05 fair report
'The art trade is the last major unregulated market'
Is it time for reform? Murky dealings came to light in 2005 as more collectors began to enter the scene—and brought their cases to court
Financiers lacking art knowledge are increasingly collecting art as investment, rather than out of passion
The Art Newspaper discusses the surrounding points of views
America votes for giltwood at the International Art and Antiques Show
Decorative arts dealers reported good sales but paintings were harder to shift
New Lefevre/Gibson collaborative gallery christened with London's first ever Giacometti show
All fifteen of the drawings that make up the display - running until 15 December - are available to purchase
Speculators angering dealers over collecting without passion for art
Young financiers want to build a diversified portfolio
FIAC, Paris: Suffering from the Frieze effect
Foreign collectors deserted the fair and the French only buy their own artists
Frieze already an established British tradition
Although only the second edition of this contemporary fair in a tent, global collectors flocked to it and sales were frantic
The Basel Ancient Art Fair set to launch this November
The fair will occupy the space in the fair calendar left bare by the now-defunct Cultura
Art Basel yields inconsistent profits for dealers as the cult of the new proves more potent than ever
Art Basel '04 fair report
Do contemporary dealers still need galleries?
Larry Gagosian has just opened a new, 1,400-square-metre space in London. But is such grandeur still necessary?
A growing number of young collectors are now buying contemporary art in Rome
Has the Eternal City overtaken Milan and Turin?
Dealers are the art world's real brains
Let us face facts. Before money changes hands, unfamiliar art is not studied because nobody thinks it is worthy of study
From Italian Old Masters to Belgian Symbolists, Salon du Dessin is broad in range but intimate in atmosphere
The new location is drawing collectors into the Paris stock exchange
Three-part Vuillard catalogue compiled by Montreal Museum of Fine Arts published after 50 years in production
The volume aims to be totally immersive, images rooted in their biographical context with detailed annotations
NADA and SCOPE: the emerging fairs that cash in on Art Basel's success
Enterprising dealers met collectors' demand for young and fashionable names
Works by younger artists for cheaper prices favoured at Art Basel 2003
Art Basel '03 fair report
Original Prints, London, reaching a new audience
Today’s print buyer is no longer a specialist collector
Despite the recession avid collectors are still flocking to the International Fine Art Fair.
Works on paper did well at this major event
The Scottish garden hawk flies into New York, Louise’s new love, the youngest collector, and where to buy a book
Raising the flag in the West (Village)
A subdued journey down the Rhine for these Cologne art fairs
Trade was slow at these three very diverse events
Diary of a New York dealer: Carlton Rochell
Contemporary art collectors are coming to Southeast Asian art. Hollywood’s fascination with Buddhism is also a trigger
Salon du Dessin is what a fair should be
A host of related events make this a “must” for drawings collectors
Interview with a British dealer Pat Jordan Evans on her gallery's 30th anniversary
An out-of-town gallery thrives on showing gentle, figurative painters
Art Basel Miami Beach's debut uncovers secrets of success amidst the gloom
Buying mania at this new fair stripped some stands bare in 40 minutes
Diary of a London dealer, Nicholas Logsdail: “I think I changed the landscape”
Why the art market is holding up as stock exchanges plunge, and why there are 10 times more collectors than in 1990
Miami: the burgeoning art scene that attracted Art Basel
Do commercial galleries stand to benefit from the increased footfall brought by the famous art fair?
Diary of a New York dealer, Hans Kraus, Jr: “The old medium has died and digital has taken over”
Why collectors of 19th-century painting are crossing over into photography