Art dealers

Baselarchive

Sales going steady at first Print Basel

Satisfaction was felt among dealers at the fair's opening, where London was well represented

Baselarchive

Murakami to launch art fair Geisai in Basel next year

The Japanese art festival's new edition will be well placed to offer exposure to emerging stars

Art fairsarchive

Art Chicago comes back from the dead with new ownership and energy

Almost everything about the fair was better—but where were the collectors?

Dealers double as patrons: Design Miami/Basel 2007

The dealer-artist relationship becomes more prominent as galleries strive for individuality, while Jean Prouvé's dominance is undeniable

Art Baselarchive

Is a Venice Biennale presence the key to Art Basel sales?

Some claim that a good reception at the Biennale ensures an artist's name is stamped in market memory

Comment: why an art market clean-up would be a clear-out

In 2007 the creative industries consultant noted that the “insider” aspect of the contemporary art market and hierarchy of knowledge and status that it creates was a significant part of its attraction

Art Basel/Miami Beach 2006 sees the breakdown of the binary between functional and ornamental

There has has been talk of an unusually high proportion of sales, particularly of design pieces

Moscowarchive

Russian art dealers released after a year in jail without trial

Couple claim that forgery accusations were the result of a property deal gone sour

Art fairsarchive

The trouble with art fairs: curators, collectors and dealers are starting to feel fatigued

As the sheer number of annual events continues to grow, fair fatigue has become a common condition

Friezearchive

Frieze: For one week London became the centre of the art world

The annual event in Regent’s Park is a new magnet for artists, collectors and dealers

Russian Oligarch Alexander Shadrin buys 40 Dalís

The works are on show in a local museum, and will travel the country next year

Dealer who sold Turner masterpiece says it will go on public view in UK

Both the US National Gallery and Tate wanted to acquire The Dark Rigi but it was sold to a private collector

Tatearchive

How the US National Gallery and Tate were beaten to Turner masterpiece

The Dark Rigi has become embroiled in murky legal waters

Collectingarchive

Art consultant Philippe Segalot reveals his views on the market and which contemporary artists he thinks will stand the test of time

In the second extract from Adam Lindemann’s Collecting Contemporary, we learn that the most committed collectors also make the most money

The posthumous rise of Martin Kippenberger

The German artist’s work has become a favourite among curators and collectors—but only since his death a decade ago

Art Baselarchive

Ena Swansea splits from Gasser & Grunert after exclusion from Art Basel fair selection

The gallery's loss of one of its stars only contributes to their recent bout of poor fortune

Art fairsarchive

Mexico's MACO remains a modest fair but draws major dealers

Exhibitor numbers are up 50%, with a few big names such as Hauser & Wirth

Baselarchive

Design Miami/Basel 2006 kicks off in style

The fair makes it clear that contemporary design dictates the taste of the moment

Antiquesarchive

Going...going...is the traditional antique gallery dying?

Dealers race to sell stock at auction as buying tastes change

Moscowarchive

Moscow dealers to open art centre in former wine factory

Businessmen and collectors fund $4m complex

Art marketarchive

Warring New York dealers guilty of tax evasion

Court orders Helen Fioratti and James Sansum to repay huge sums

Business as usual at Knoedler's renowned Upper East side branch after $500,000 restorations

The modernisation of this landmark is an example of Knoedler's adaptability, as one of the US's longest established commercial galleries

Art marketarchive

Court finds Peter Brant really does own Warhol’s Red Elvis

The decision ends a dispute that started in 2000