Art dealers
Sales going steady at first Print Basel
Satisfaction was felt among dealers at the fair's opening, where London was well represented
Murakami to launch art fair Geisai in Basel next year
The Japanese art festival's new edition will be well placed to offer exposure to emerging stars
Art Chicago comes back from the dead with new ownership and energy
Almost everything about the fair was better—but where were the collectors?
Dealers double as patrons: Design Miami/Basel 2007
The dealer-artist relationship becomes more prominent as galleries strive for individuality, while Jean Prouvé's dominance is undeniable
Is a Venice Biennale presence the key to Art Basel sales?
Some claim that a good reception at the Biennale ensures an artist's name is stamped in market memory
Dealer and critic head to head over Chubarov painting
Was the price forced up at Sotheby's sale?
Mugrabi family considering Warhol deal with sheikh
The deal could be worth around $1 billion
News from New York: Larry Gagosian gets exposed while US presidents get hosed
Meanwhile, doctors form an art club and Mimran takes on Type A
Comment: why an art market clean-up would be a clear-out
In 2007 the creative industries consultant noted that the “insider” aspect of the contemporary art market and hierarchy of knowledge and status that it creates was a significant part of its attraction
Art Basel/Miami Beach 2006 sees the breakdown of the binary between functional and ornamental
There has has been talk of an unusually high proportion of sales, particularly of design pieces
Russian art dealers released after a year in jail without trial
Couple claim that forgery accusations were the result of a property deal gone sour
The trouble with art fairs: curators, collectors and dealers are starting to feel fatigued
As the sheer number of annual events continues to grow, fair fatigue has become a common condition
Frieze: For one week London became the centre of the art world
The annual event in Regent’s Park is a new magnet for artists, collectors and dealers
Tate and Scottish National Gallery in talks to acquire d’Offay collection
Legendary dealer is thought to own 700 works worth £100m
Russian Oligarch Alexander Shadrin buys 40 Dalís
The works are on show in a local museum, and will travel the country next year
Dealer who sold Turner masterpiece says it will go on public view in UK
Both the US National Gallery and Tate wanted to acquire The Dark Rigi but it was sold to a private collector
How the US National Gallery and Tate were beaten to Turner masterpiece
The Dark Rigi has become embroiled in murky legal waters
Art Basel 2006 was the best yet, but clients found inflated prices a concern
Art Basel '06 fair report
Art consultant Philippe Segalot reveals his views on the market and which contemporary artists he thinks will stand the test of time
In the second extract from Adam Lindemann’s Collecting Contemporary, we learn that the most committed collectors also make the most money
The posthumous rise of Martin Kippenberger
The German artist’s work has become a favourite among curators and collectors—but only since his death a decade ago
Ena Swansea splits from Gasser & Grunert after exclusion from Art Basel fair selection
The gallery's loss of one of its stars only contributes to their recent bout of poor fortune
Mexico's MACO remains a modest fair but draws major dealers
Exhibitor numbers are up 50%, with a few big names such as Hauser & Wirth
Design Miami/Basel 2006 kicks off in style
The fair makes it clear that contemporary design dictates the taste of the moment
Going...going...is the traditional antique gallery dying?
Dealers race to sell stock at auction as buying tastes change
Moscow dealers to open art centre in former wine factory
Businessmen and collectors fund $4m complex
Warring New York dealers guilty of tax evasion
Court orders Helen Fioratti and James Sansum to repay huge sums
Calder Foundation's new space for exhibitions and encouraging scholarship
Dealers not welcome says director of Calder Foundation
Business as usual at Knoedler's renowned Upper East side branch after $500,000 restorations
The modernisation of this landmark is an example of Knoedler's adaptability, as one of the US's longest established commercial galleries
Court finds Peter Brant really does own Warhol’s Red Elvis
The decision ends a dispute that started in 2000
A dealer is offering to mount high-tech plasma TVs in 19th- and 20th-century frames
For the collector who has everything
