Art dealers
Collectors sue Agnew’s over Van Dyck and Constable misattributions
The gallery catalogued both works as genuine, though experts made no secret of their ambivalence
Roger Bevan looks at how auction houses have tried to become dealers either by buying them or by behaving like them
Traditional boundaries are being blurred
The traditional roles of auction houses and dealers are beginning to diminish
How the auction houses are encroaching on the dealers’ bailiwick, and why these are still in business
Disappointing result for the first International Asian art fair due to unfortunate timing
Fine quality at the Asian art fair failed to woo the buyers despite the perfect location
Some good sales in the face of tough times: Cultura Basel 2001
Cultura Basel ’01 fair report
Art dealer Adam Williams found guilty after 11 years of litigation
Williams will not appeal French court decision, citing health reasons
Few standout sales as the young and up-and-coming benefit from more recreational buyers: Art Chicago 2001
Limited international collectors, but American museums, local collectors, tourists and children out in force
Paris Museums support drawings fair Salon de Dessin for the first time
Special viewings arranged for expected international collectors
New York Ceramics Fair 2001 hits upon winning formula as dealers elated by sales
Collectors defy mini-blizzard
Haughtons’ International Asian Art Fair still rules NY's Asia Week
A diverse offering of Chinese, Japanese, Southeast Asian and contemporary art
Art Deco furniture rules the auction houses and a new sales record was set as the style replaces 18th-century furniture
Prices are rocketing, but perhaps not everything is right in this field with many experts questioning the authenticity of some pieces
People prefer new rugs
Valentine’s Day sale for Davide Halevim’s farewell to the carpet trade
Interview with dealer Bernard Jacobson on his change of taste and direction
From Great British to stellar American art
Art Basel to launch in Miami Beach
From next year, modern and contemporary art dealers will congregate in Florida
In an attempt to cut costs, the online auctioneer artnet.com chooses to give up selling paintings
"Photography and prints are the way forward for on-line sales" say e-commerce pioneers
Diary of a dealer: veteran Asian art dealer Robert H. Ellsworth states “provenance is worth one-third of the price”
The market is driven by supply and demand and not by collectors’ taste, says veteran dealer in Asian art
At Asian Art Week in London dealers, scholars and collectors congregate for major shows and great parties
Fifty-two participants will exhibit everything from Indian statue jewels to Islamic tiles
Diary of a US dealer: Fred Hill of Berry-Hill. European museums turn to American landscape
And a wider range of stock attracts more collectors
Art Forum Berlin '00 fair report: Where Gagosian and Jeffrey Deitch go, will other US dealers follow?
The art fair is 63% non-German this year
Picasso case determines that faith in dealers should be warranted
Court says non-professional buyers do not have to check “provenance”
Diary of US dealer Ann Freedman: No websales, please; only the personal touch
The president and executive director of Knoedler’s encourages collectors to become museum patrons and supplies major museums with works of art
Hanging around New York: Collector-patrons for Knoedler’s 159-year history
Picasso for the blind at Wildenstein and a bevy of Latin American paintings exhibitions
Sotheby’s executive vice-president talks about their online venture and the importance of auctions on the web
A brand new tribe of collectors and buyers is coming
Diary of a dealer: the American Modernism dealer, Hollis Taggart
Rising prices and increasing prestige for certain artists as collectors awake to Modernism’s sleepers
Arts of Pacific Asia Show: Mid-price treasures for new and younger collectors
Works from the Southeast Asian countries vie with the more traditional Chinese and Japanese selections
Leslie Waddington: Always a Londoner
The welcome failure of droit de suite, the impact of internet sales and the future of YBAs and optimism about the Tate Modern
Fifty percent is brought by men
Geoffrey Munn gives an insider view of the last year
Established fair experiments in Art Cologne's twenty-third year
Big names for private collectors and big sculptures for museum curators
Famine or feast in the Dutch and Flemish Old Masters trade
As the supply of works by the big names dwindles demand is growing for pictures by lesser known artists
Dealers deem London Old Masters market scarce but stable
While a broad consensus emerged that sales remain solid, the demand for quality pictures outstrips supply, causing frustration among serious collectors