Can the law keep up with the speed of digital appropriation, reproduction and distribution? And should it even try?

Technology could foresee deterioration of artworks

Leaving the house has never seemed more unnecessary

A new use for airport screening technology

Work on Civil War submarine leads to pioneering technique

Searching for underdrawings, conservators discover the artist’s reflection

A new technique aims to prevent colour prints from fading—but is it legal?

Researchers see future applications for this cross-over science

The event will be held 28 February to 2 March

Adapted antibody technique helps conservators find suitable restoration materials

Development in conservation of sculpture

The inventors of a new technique for dating paintings say it can prove whether a work was made before or after 1945

Not about faith or folly, but film as reality

Leading scholar is “saddened” by decision

The online virtual world is becoming one of the best places for artists, curators and dealers to meet

The billionaire co-founder of Microsoft spoke at the British Library (BL) in January at the glitzy launch of Windows Vista, his company’s new operating system

This move will substantially increase the accessibility of it's collections

Clients will be able to follow live auctions at home

The prestigious New York firm imitates younger, hipper galleries such as Deitch Projects with a show of video game art

Infra-red examination shows abandoned original design

A new book explores the history of the first truly portable camera

By 2007 Harvard will be able to track the collection digitally, and everything will be accessible

Everything for the armchair art lover, at the flick of a switch

Conservation and connoisseurship joined at the altar

Keeping net art live

Digital Promise non-profit will develop electronic education programmes

Oxford professor launches detailed technical study of all works attributed to Leonardo to be completed by major exhibitions in 2006

Replicas are not necessarily second-rate Disneyfications, says conservator John Larson

As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order