The Art Newspaper
The mere announcement, in 1994, that the Tate was to open in Southwark’s obsolete power station, began to attract artists and galleries to this grungy neighbourhood
We speak to galleries and artists that have responded to this Tate factor
Somebody loves Lenin in Finland
Public outcry scuppered Helsinki officials' plan to buy granite bust of the Communist leader
Dalí sculpture en masse in London
600 pieces of Dalí’s Universe on display at County Hall
Beuys born again in Venice with new show
Piazza San Marco hosts the first Italian exhibition dedicated to the artist since his death
“Overcoming all obstacles: Women of the Académie Julian”
Exhibition shows at Dixon Gallery, Memphis, 9 July-24 September
Art Chicago 2000: A full house
Despite the opening of Tate Modern, which lured away many buyers, the fair was generally a success
Cache of Dalí fakes found in warehouses owned by John Peter Moore
Moore was once the friend and agent of the artist
Giles Waterfield finds the new mixed hang at Tate Britain unhelpful and bullying
This new curatorial direction suggests museum just a plaything for the staff
V&A looking for new director
Alan Borg's contract extended until next year
Collector interview: Lew Manilow on art and Chicago
It is fifty years since this collector and essentially American philanthropist was turned on to art while at Harvard. He has been an integral part of the art establishment in Chicago for decades
Adam Throup on the branding of the Tate
Part of the design team at Wolff Olins, he sums up the Tate's branding redesign
Funding the Tate: A £134 million achievement
With £6m a year to raise, the budget of Tate Modern will require constant effort
Passport to the universe: Virtual reality at the Hayden Planetarium
Clare Henry saw the latest high-tech astronomical display at in New York and says scientists have taken art to new heights
The architecture of Tate Modern. Deceptively simple
Architects Herzog & de Meuron play subtle tricks with lighting and glass boxes
New Andy Warhol retrospective to tour Eastern Europe
The exhibition will visit Hungary, Greece, Russia and Estonia this year and Slovakia, Slovenia, Latvia and Croatia in 2001
How Artprice.com raised $24 million on the Nouveau Marché
Part owned by Bernard Arnault’s luxury group, this auction price database has huge expansion plans
Marlborough sued over Bacon estate
Artist allegedly exploited and heir denied his inheritance
Pinault copies Arnault and buys French auctioneers Etude Tajan
Owner of Christie's bids high and wins big
Creative forgeries bamboozle Paris art groupies
Fake invitations cause chaos, and the culprit remains on the lam
Bill Gates on Leonardo
The Microsoft co-founder speaks about the Italian artist's influence on Beuys ahead of an exhibition in Berlin
Greek art market in crisis due to weak and badly enforced laws and taxes
Very little support for the art scene from the tax system and, as in Germany, an outdated distinction between “original” works of art, subject to 9% VAT, and multiples (prints, digital works, photography etc), subject to 19%
What's on in London: Sarah Lucas lights up and gets Freudian
Subconscious probings at the Lisson and Fa1, White Cube takes on a disquieting new talent and there are spots before the eyes at Victoria Miro
Arts of Pacific Asia Show: Mid-price treasures for new and younger collectors
Works from the Southeast Asian countries vie with the more traditional Chinese and Japanese selections
National Museum of Iraq recovers 5,000 Sumerian artefacts
Archaeologists descended upon three sites in Southern Iraq rumoured to contain antiquities
Piero Manzoni “Achrome” a fake
The court was convinced by differences in the artists' technique
Is another bubble about to burst in the fine art market?
In 2000 we noted that single-owner collections sent prices spiralling upwards which was good news for the salerooms, but disastrous for museums with dwindling budgets
Most expensive works of art at auction, January to December 1999
The top twenty has Cézanne at the top with a new record from Sotheby's
Concentration of arts sponsorship in London causes other UK regions to lose out
Unevenness comes to light, as survey finds that almost 50% of the UK total was directed towards London
Joseph Beuys' multiples on show at the Irish Museum of Modern Art
These works embodying the egalitarian nature of multiples have ironically been hidden from view until now

