Martin Bailey

June 1999archive

Two mega-donations for London museum expansions

With £20 million each, plans progress for the British Museum Great Court and the V&A's spiral

Lootingarchive

Growing unease over looted Lubomirski Dürers

A sheet of paper found in a second-hand book by The Art Newspaper details valuations of the drawings when sold by Colnaghi

Tate Turner thieves convicted

Unrecovered paintings stolen in Frankfurt, 1994.

From the secret archives of the Victoria and Albert Museum: flinging more than a paint pot

The opening of a file on James McNeill Whistler, embargoed for a century, reveals him to have been a violent brawler, a racist and a gun-runner

Art marketarchive

What's it worth to you? Stonehenge's value is assessed in a recent survey

English Heritage has carried out a contingency valuation of Stonehenge and discovered that 58% of those polled would be prepared to help finance the site’s improvement

April 1999archive

No UK country has poured as much money as England into art commissions since 1995

The £50m art bonanza has funded everything from Gormley's Angel of the North to a 48km sculpture trail

March 1999archive

'The biggest contemporary art fraud of the century'

John Drewe probably faked as many as 200 pictures, tampering with archive material and duping the experts

Looted artarchive

The National Gallery investigates wartime provenance of 120 paintings

The London gallery aims to ensure that they are not war loot and appeals for assistance in checking their recent histories

Authenticity debate continues to tarnish Dr Gachet's Cézanne and Van Gogh donations at Grand Palais exhibition

The show gives the Musée d’Orsay’s verdict on its own questioned Van Goghs and draws attention to problems with other articles from the Gachet Collection

Action urgently needed to save Brancusi’s Endless Column

The most important outdoor sculpture of this century has been ravaged by rust, pollution, politics and conservation debates

Exploitation of the Tate Archives: Trial of accused paintings fraudster

John Drewe donated money to the Tate and allegedly doctored its documents

V&A cuts foreign loans

Fewer loans in order to save resources

A campaign is underway to raise funds for the conservation of Sir George Gilbert Scott’s metalwork masterpiece, the Hereford Screen

Since its removal from Hereford Cathedral over three decades ago, it has languished in store, slowly deteriorating.

Fraudulent former dealer duped Irish Georgian Society, cheated investors out of £1.8 million, and sent fake Expressionists to tour twelve US colleges

Bryn Lloyd Williams, a former dealer, duped Desmond Guinness of the Irish Georgian Society and cheated investors out of £1.8 million, while Expressionist fakes toured 12 US colleges

Collectorsarchive

Collector profile: Sir Paul Getty's two weaknesses, books and cricket

Over twenty-five years this Anglo-American has built up a great library of early books, manuscripts and incunabula

Newsarchive

Lloyd Webber pre-Raphaelite export exhortation

The 300 paintings and drawings in the Makins collection include works by Millais, Holman Hunt, Rossetti and Burne-Jones

Nazi lootarchive

The Lviv Dürer story continues: Hitler’s shadow over the British Museum

Restitution claims for the Lubomirski and Ossolinski collections are complicated by the history of Lviv’s occupiers

V&A British Galleries delay

£12 million required to complete refurbishment project.

July 1998archive

The Van Gogh fakes scandal: the tally one year later

Last July, The Art Newspaper broke the news that at least 45 Van Gogh paintings were suspect. This is what has happened since

Collector Paula Cussi funds Tate Freud exhibition despite export altercation

“Lucian Freud: Some New Paintings” is on show until 26 July

Paris archive

Art Premier introduces Museum Rental Programme

Why not have a museum masterpiece over your mantle?

Tatearchive

Insurance payouts for the Tate as Turners remain missing

Following thefts, Tate receives funds to repurchase works stolen in Frankfurt

'A climactic moment in the history of British art': curator Norman Rosenthal on his 'Sensation' show

Eight months after the opening of the major exhibition, the man who responsible for staging the controversial show says it mattered because it reflected an unprecedented scale of art-making in Britain

Museumsarchive

Tate Modern's first director is Lars Nittve

The Swede comes straight from heading Denmark's Louisiana Museum of Modern Art

Dürer’s “Virgin of the Sorrows”: almost too terrible to show in Munich

Three works by the German master went on show last month following an acid attack a decade ago. Two have been restored with a new ion-exchange technique used on paintings for the first time