Martin Bailey
Parthenon Marbles conference report: Academic interchange remains almost completely civil at the British Museum
The restitution question was hardly mentioned, but it tautened everyone’s nerves
Tate forms partnerships with regional venues across Britain
An effort to increase the public's exposure to the National Collection
Variant vindicated? Van Gogh Museum defends its “Garden of St Paul’s”
Van Gogh fakes controversy continues
The battle over copyright: Even in death, Dalí spreads chaos
Millions of dollars from reproduction rights, hundreds of thousands of fakes and the authority to authenticate works are at stake. The Gala-Salvador Dalí Foundation, set up to care for his work, claims that Demart, which administers his intellectual property rights, is failing to do its job
The show that dares not speak its name: Francis Bacon estate intervenes in new Dublin show
The Joule archive drawings continue to cause contention
How to raise £166 million for the Tate: “Money follows energy”
The museum’s low-profile fundraising has achieved the biggest capital sum ever for a UK museum, but who is to pay for the running costs?
Special loan arrangements set up between Tate Gallery and Yale Center for British Art.
Twenty US works are to be shown at Millbank for its inauguration in March 2001
Rembrandt will ride again as reprinting is planned from his original plates
A Californian company prepares to sell etchings reprinted from the seventeenth-century plates
Interview with Guita Abidari on the Art Loss Register
Their director of marketing talks on the database against crime
V&A off limits to women in 1913?
Museums considered banning female visitors at height of suffrage movement
Tate acknowledges 'View of Hampton Court Palace' as Nazi war loot, expected to compensate family
An important test case for museums dealing with war loss cases.
Test your market savvy at the Courtauld's "The value of art"
The exhibition challenges you to decide which work of art is more valuable
Christ Church, Oxford, reopens with Leonardo
All seven in its collection will be on display together for the first time
Leonardo reunited in Cambridge
The Fitzwilliam acquires the missing half of its 'A rider on a rearing horse'
Sutton Place, the Surrey estate owned by a succession of America art collectors, has appeared on the market
£25 million is asked for the Tudor manor once called home by John Paul Getty
Museum of Epinal stakes claim to London dealer's Vuillards
"Nude in the studio" and "Bouquet of flowers" were commandeered by French court officials at the Maastricht fair
British art swaps at the Tate Gallery and Victoria and Albert Museum
Constables go to Tate and eighteenth-century works to V&A
Two mega-donations for London museum expansions
With £20 million each, plans progress for the British Museum Great Court and the V&A's spiral
Growing unease over looted Lubomirski Dürers
A sheet of paper found in a second-hand book by The Art Newspaper details valuations of the drawings when sold by Colnaghi
From the secret archives of the Victoria and Albert Museum: flinging more than a paint pot
The opening of a file on James McNeill Whistler, embargoed for a century, reveals him to have been a violent brawler, a racist and a gun-runner
What's it worth to you? Stonehenge's value is assessed in a recent survey
English Heritage has carried out a contingency valuation of Stonehenge and discovered that 58% of those polled would be prepared to help finance the site’s improvement
No UK country has poured as much money as England into art commissions since 1995
The £50m art bonanza has funded everything from Gormley's Angel of the North to a 48km sculpture trail
'The biggest contemporary art fraud of the century'
John Drewe probably faked as many as 200 pictures, tampering with archive material and duping the experts
The National Gallery investigates wartime provenance of 120 paintings
The London gallery aims to ensure that they are not war loot and appeals for assistance in checking their recent histories
Authenticity debate continues to tarnish Dr Gachet's Cézanne and Van Gogh donations at Grand Palais exhibition
The show gives the Musée d’Orsay’s verdict on its own questioned Van Goghs and draws attention to problems with other articles from the Gachet Collection
Princess Leonie of Sachsen-Weimar-Eisenach lays claim to $820 million worth of property held in Weimar public institutions
Weimar, Cultural Capital of 1999, negotiates over its cultural treasures
Action urgently needed to save Brancusi’s Endless Column
The most important outdoor sculpture of this century has been ravaged by rust, pollution, politics and conservation debates