Trees of knowledge: Interview with Ackroyd & Harvey
Ackroyd & Harvey have fused nature and engineering to mark London 2012’s legacy and the Olympic Park’s hidden history
The outsider’s outsider: Interview with Jeremy Deller
Is Deller the best artist whom collectors rarely buy? And why is he showing in London, a city he tries to avoid?
Interview with Liam Gillick: “There’s a perversity in my method”
With a biennial, two shows and a knitwear range on the go, Liam Gillick talks about the lasting effect of his Goldsmiths years
Three of the best for Tate in this year's Outset/Frieze Art Fair Fund acquisitions
Two new artists and an old favourite make the cut
Interview with Jarvis Cocker: "A show can plant a seed that flowers years later"
The musician and St Martin’s graduate on why access to art is crucial during an economic crisis
Interview with Thomas Struth: “Photographs reveal people’s inner agenda”
On the eve of his solo show at the Whitechapel Gallery in London, Struth talks about society, the family and the gaze
Interview with Mike Nelson: On the biennale, Turkey, and being “not quite sure what installation is…”
His work at the Venice Biennale has meant rebuilding an installation inside a rebuilt caravanserai within the British Pavilion
“I lived poor and there was no shame”: Interview with Susan Hiller on overcoming the art market
The artist speaks about the 1970s, public engagement, and the supernatural
Outset/Frieze Art Fair Fund adds to the Tate’s collection
Works by Lorna Simpson, Július Koller, and Jimmie Durham make up the selections this year
Interview with Marina Abramovic: "Life is getting faster, the art has to go slower”
Marina Abramovic on the pain of sitting still, being the black sheep of the family and working with Robert Wilson
Interview with Sir Peter Blake: “I made a conscious decision to be kind to younger artists”
The pop “godfather” on stuffed animals, the urge to collect and the burden of Sergeant Pepper
Interview with Francis Alÿs: “Each situation calls for a new answer”
The artist on running inside tornadoes, failing to sabotage the art market and the appeal of Mexico City
News from London: Quinn’s polymorphous perversity and Joffe’s secret shop
A night at the Turk’s head, a farewell to Tate Modern’s bon viveur, and the only party to support on election night
Interview with Jenny Holzer: In her own words (or not, as the case may be)
The American artist on her “odd and lonely” childhood, other people’s texts and why she’s returned to painting
Interview with Chris Ofili: Something of the forest and the night
On the eve of his first retrospective, opening this month at Tate Britain, Chris Ofili tells us where he finds his inspiration
News bites: the art world celebrates, commemorates, curates, complains, and ... stinks
Dr Penelope Curtis is a renowned scholar but also has a track record—as an exhibited artist
Tate looks to young international artists with £120,000 acquisition fund
The works selected reflect Tate's increasingly global outlook and support of young artists
Collector interview: Budget collector Daniel Mason gives his Frieze tips
Among other advice, he suggests to buy what you like and that the affordable stuff is tucked round the back
Interview with Grayson Perry: The “The Guernica of the credit crunch”
Perry is about to show his most ambitious work, a huge tapestry depicting images of consumer excess and retribution
"Il Tempo del Postino": the performance art group show comes to Art Basel
Constructed for a theatrical setting, this event makes space and time its materials
Our road to Basel 1970: Interview with Christo and Jeanne-Claude
Christo and Jeanne-Claude on escaping from communism, how they met and what it takes to become an artist
Interview with Antony Gormley on the Fourth Plinth project: “Why not treat everybody as a hero?”
If he gets planning permission, Antony Gormley will transform Trafalgar Square into a space for the ordinary man and woman
The changing faces of Cindy Sherman
We speak to the chameleon-like photographer about her latest series, in which she becomes a string of fictional, surgically-enhanced socialites
Interview with Jane and Louise Wilson: Stanley Kubrick’s photographs brought to life
The sisters had access to the late film-maker’s huge archive and focused on a film about the Holocaust which never got made
From the archive: Richard Serra discusses why the moving body is so important to him and the use of steel as a material in its own right
The acclaimed US sculptor tells The Art Newspaper why he never thought there would be an audience for his work
Tate’s Outset/Frieze Art Fair Fund picks bring new artists to the gallery
The supercharged shopping trip was worth £125,000 this year
Feminist art cracks the market’s glass ceiling
Historical trends of male art selling for more are being challenged
Basel art gallery forced to shut shows as Euro 2008 kicks off
This precaution was taken due to the safety of stock being compromised by influx of football fans
News from London: Art prints and art skincare go on sale, while both Condé Nast and the Chapmans raise a fuss
Meanwhile, the art world gets back to bare essentials as Hodgkin has an unusual request for the director of the ICA while Tate director’s wife is defrocked
Artist antics: Martin Creed’s test run at Tate Britain, Elton John's dance moves, and Eugene Leroy's penchant for Proust
We can reveal that the Creed’s commission for the Duveen Galleries, to be unveiled next month, is likely to startle visitors